Comment [+] added to record G-15229 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Richard Doyle is a pseudonym on these two tracks for banjoist Pete Mandell, who is also also, per mgthomas, the composer of both pieces. It would be nice to have a label photo to resolve the proper listing for the composers. |
Comment [+] added to record G-16212 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Harry Carlton is a pseudonym on these tracks for Cavan O'Connor. Billy Desmond is a pseudonym for baritone John Thorne. I don't know if the label says so, but Thomas lists the B-side composer as Horatio Nicholls, |
Comment [+] added to record G-16190 by slholzer
Comment by slholzer: The American Dance Band Discography omits this catalog number from its lists of issues, but both of these tracks are listed regardless.
Side A is in the Royal Troubadours chapter. It was recorded at the Gennett NY studios on 4-Oct-1926 with Arthur Fields as vocalist.
The Cleveland Society Orchestra was a pseudonym on Side B for Joe Candullo and his Everglades Orchestra with Charles Hrat as the vocalist. It also was recorded at the Gennett NY studios, but on 9-Oct-1926. |
Comments [+] added to record G 15777 by han enderman, slholzer
Comment by han enderman: Aco 15777 - A-side label image added. - There are typos (titles, comp) in the track details.
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record 1911-1945, these two tracks were recorded in London in July, 1925. |
| Image added to record G 15777 by han enderman |
Comment [+] added to record G-15969 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15887 by slholzer
Comment by slholzer: Per the American Dance Band Discography, the unidentified vocalist on "Nobody But Fanny" is Irving Kaufman. |
Comment [+] added to record G-15884 by slholzer
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record, 1911-1945, these two tracks were recorded in London in December, 1925. |
Comment [+] added to record G-15862 by slholzer
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record, 1911-1945, the unidentified vocalist on Paddlin' Madeline Home is John Thorne. Per the same source, both tracks were recorded in London in November, 1925. |
Comment [+] added to record G-15844 by slholzer
Comment by slholzer: Mike Thomas' mgthomas.uk website and the American Dancde Band Discography concur that the Indiana Melodists are a pseudonym on this disc for Austin Wylie's Golden Pheasant Orchestra. Per the ADBD, the A-side was recorded in NYC 25-Feb-1925.
Per Brian Rust and Sandy Forbes' British Dance Bands On Record, 1911-1945, the B-side was recorded in Lndon in October, 1925. The band is in fact Harry Bidgood's/ |
Comment [+] added to record G-15058 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, the unidentified piano accompaniment on these two tracks is by J.H. Squire. |
Comment [+] added to record G-15084 by slholzer
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record, 1911-1945, these two tracks were recorded in London, the A-side c. June, 1922, and the B-side June-July, 1922. |
Comment [+] added to record G 15113 by slholzer
Comment by slholzer: The Cleveland Society Orchestra was frequently used (although not exclusively) to hide the identity of Ben Selvin's American orchestra. Data on Mike Thomas' mgthomas.uk website indicates that that is the case on these two tracks. The American Dance Band Discography shows the tracks as recorded in NYC c. December, 1921.
Titles played on the illustrated side include: Come Back To Erin/Believe Me If All Those Endearing Young Charms/:Eileen Alannah/ and Wearing Of The Green. Titles on the other side include St.Patrick’s Day/Minstrel Boy:/ Killarney:and Low Back’d Car. |
Comment [+] added to record G-15151 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, the Plantation Harmony Four is a pseudonym on side A for the Melody Male Quartette and on side B for The Criterion Male Quartette. |
Comment [+] added to record G-15173 by slholzer
Comment by slholzer: Per the Aco listing on MIke Thomas' mgthomas.uk website, Leslie Davis is a pseudonym for whistler Margaret McKee and Patrick KInahan is a pseudoynym for ocarina player Sgr. Mose Tapiero. |
Comment [+] added to record G 15209 by slholzer
Comment by slholzer: Per the Aco listing in Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15238 by slholzer
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record, The Famous Broadway Band is a pseudonym on these two tracks for Victor Vorzanger's Broadway Orchestra. Per the same source, they were recorded in London c. June, 1923. |
Comment [+] added to record G-15243 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas mgthomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15248 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15268 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Harry Topping is a pseudonym for Irving Kaufman and the Topping Brothers are Irving and Jack Kaufman. |
Comment [+] added to record G-15284 by slholzer
Comment by slholzer: You will find these two tracks in Brian Rust and Sandy Forbes' British Dance Bands On Record in the Savoy Havana Band chapter. Per that source, they were recorded in London c. 11-Sep-1923. |
Comment [+] added to record G-15632 by slholzer
Comment by slholzer: By consensus of the American Dance Band Discography and Mike Thomas' mgtomas.uk website, The Old Virginians are a pseudonym on this disc for The Ambassadors and the Indiana Melodists are a pseudonym for Austin Wylie's Golden Pheasant orchestra. The ADBD lists Until To-Morrow as recorded in NYC in Feb.-March, 1924, and "I Want To Be Happy" as recorded in NYC in late September, 1924. |
Comment [+] added to record G-15656 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15675 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgtomas.uk website, Billy Desmond is a pseudonym on these two tracks (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15706 by slholzer
Comment by slholzer: Per Brian Rust and Sandy Forbes' British Dance Bands On Record 1911-1945, John Thorne is the unidentified vocalist on "San Francisco". From the same source, these two tracks were recorded in London in May, 1925. |
Comment [+] added to record G-15744 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on this (and many other Acos) for baritone John Thorne. |
Comment [+] added to record G-15840 by slholzer
Comment by slholzer: Per the Aco listing on Mike Thomas' mgthomas.uk website, Billy Desmond is a pseudonym on this (and many other Acos) for baritone John Thorne. |
UK
