78 RPM - The Philadelphians [US] - You Brought A New Kind Of Love To Me / Around The Corner - Broadway - USA

78 RPM Record

Artist:	The Philadelphians [US]
Label:	Broadway
Country:	USA
Catalogue:	1384
Date:	1930
Format:	10"
Collection:	I Own It I Want It
Community:	1 Owns
Price Guide:	Valuation Page
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Track	Artist	Title	Composer	Rating
A	The Philadelphians [US]	You Brought A New Kind Of Love To Me	Fain, Kahal, Norman	Rate
B	The Philadelphians [US]	Around The Corner	Kahn, Kassel	Rate

Notes

A: From "The Big Pond". Vocal Chorus by Irving Kaufman.
B: Carl Meadows And His Orchestra, With Vocal Refrain.

A mx: 1844; B mx: 1845.
The Philadelphians is a Harry Reser band.

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Comments and Reviews


TheJudge 14th Oct 2020		(Answers self: almost certainly not. Artist name changed)



TheJudge 13th Oct 2020		I shouldn't think this is the same band who recorded for UK Eclipse between 1928 & 1935. Is it?



slholzer 17th Jun 2017		According to Allan Sutton's "Pseudonyms on American Records, 1892-1942", Carl Meadows AHO are Bernie Cummins AHO on this disc and a few other Broadway issues. This track is not listed under Cummins' name in Rust's American Dance Band Discography, nor is there a chapter on Carl Meadows or any cross-reference from that name to anything else in the book. Sutton lists The Philadelphians as a pseudonym for Harry Reser on Broadway and does not list any other possible identities for this pseudonym. In his American Dance Band Discography, Rust shows the Philadelphians as a pseudonym for the Clevelanders (led by Harry Reser, but with a separate chapter in the book) on three Broadway discs, one of which (Broadway 1334) is apparently mis-numbered in Rust, as its title matches the A side track on the illustrated disc and both its title and mx number are shown in the ODP attached to the illustrated disc, while 1334 is shown in the ODP as by The Badgers (also a pseudonym, it turns out, but for Sam Lanin, not identified as such by Rust, but known to Sutton) with entirely different titles ("Great Day" and "Without A Song") and mxs that are listed in Rust under Lanin's name but without reference to any Broadway issue. Rust also lists three Philadelphians tracks by an unidentified band which are, like the Clevelanders tracks, roughly contemporaneous with this disc (c. February, 1930). Perhaps in the interval between the ADBD (1975) and Sutton (2001) all of this had resolved into a single body of records acknowledged to be by Harry Reser, but that would be jumping to conclusions. If Mr. Sutton is out there, perhaps he can help clarify the point.

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