78 RPM - London Chamber Orchestra - Capriol - Suite - Decca

78 RPM Record

Artist:	London Chamber Orchestra
Label:	Decca
Country:	UK
Catalogue:	K. 576
Date:	May 1931
Format:	12"
Title:	Capriol - Suite
Collection:	I Own It I Want It
Community:	3 Own
Price Guide:	Valuation Page
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Track	Artist	Title	Composer	Rating
A1	London Chamber Orchestra	1. Basse-Danse	Warlock	Rate
A2	London Chamber Orchestra	2. Pavane	Warlock	Rate
A3	London Chamber Orchestra	3. Tordion	Warlock	Rate
B1	London Chamber Orchestra	4. Bransles	Warlock	Rate
B2	London Chamber Orchestra	5. Pieds-en-l'air	Warlock	Rate
B3	London Chamber Orchestra	6. Mattachins	Warlock	Rate

Notes

Conducted By Anthony Bernard
K.A.53
K.A.54

Images

Number: 422825

THUMBNAIL
Uploaded By: Pridesale
Description: A Side Label

Number: 422826

Uploaded By: Pridesale
Description: B Side Label

Comments and Reviews


lorangrecords SUBS 7th Apr 2013		Added year of rel. from a Decca disco.



Juke Jules SUBS 30th Mar 2013		Recorded 24 Mar '31. Bernard, of whom Warlock was deeply contemptuous, takes all pieces at a very spirited pace in this perfectly creditable reading



Juke Jules SUBS 24th Mar 2013		Now available on the Divine Art Historic label CD collection: Peter Warlock - Collected 78rpm Recordings Quote: "Gathered here are the original 78rpm recordings from the John Bishop Collection - "John Bishop was one of the leading lights of the Peter Warlock Society. The booklet contains fascinating and informative notes, rare photographs and original 78rpm matrix numbers with recording dates". Audio restoration by Andrew Rose of Pristine Audio



Pridesale 23rd Mar 2013		From Wikipedia, the free encyclopedia The Capriol Suite is a set of dances composed in October 1926 by Peter Warlock, and is considered one of his most popular works. Originally written for piano duet, Warlock later scored it for both string and full orchestras. According to the composer, it was based on tunes in Thoinot Arbeau's Orchésographie, a manual of Renaissance dances. Nevertheless, Warlock's biographer, Cecil Gray, said that "if one compares these tunes with what the composer has made of them it will be seen that to all intents and purposes it can be regarded as an original work." The suite consists of six movements: Basse-Danse, Allegro moderato, D minor Pavane, Allegretto, ma un poco lento, G minor Tordion, Con moto, G minor Bransles, Presto, G minor Pieds-en-l'air, Andante tranquillo, G major Mattachins (Sword Dance), Allegro con brio, F major The individual movements are very brief; a performance of the suite lasts about 10 minutes.

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