rupert hart-davis h/cvr first printing, probable first edition
cover (d-j) art by keith roberts (signed, dated 68)
cover (d-j) price 25/-
224pp. including titles, indicia, table-of-contents etc, end pp. bound with endpapers between cloth-covered boards
granada publishing panther books imprint first printing, first uk p/b edition
contents follow those of the rupert hart-davis first edition h/cvr (london 1968)
cover art by brian edwards (unsigned, credited on back cover)
cover price 6/- (30p), 75c south africa, 95c australia, 85c new zealand, 95c canada
192pp. including titles, indicia, table-of-contents etc, end p. advertising (this comment is from another edition of this book)
cover art by ian miller
cover price £5.99
288pp. including viii pp. titles, indicia, prologue (fiction) etc.
this edition includes ''prologue'' (but sets it apart from the stories), ''the white boat'', and ''coda'' (this comment is from another edition of this book)
penguin books penguin imprint b-format p/b first printing, second penguin p/b printing
now emblazoned ''classic science fiction'' in chief
cover art by david o'connor (retained from previous penguin printing)
cover design - typography, layout, framing etc. - changed, more of cover art visible
cover price £3.95, $12.95 australia, $14.99 new zealand, $9.95 canada
240pp. including titles, indicia etc, end pp. advertising
this edition printed from same typesetting as previous penguin printing,
so also includes ''prologue'', ''the white boat'', and ''coda'' (this comment is from another edition of this book)
j. m. dent readers union group of bookclubs science fiction book club h/cvr edition, first printing
not published for distribution by way of trade nor direct to the general public, save to members of the science fiction book club and optionally to members of associated book clubs
cover (d-j) art by terry james (unsigned, uncredited; art on sfbc #117 through #170 gostak.org.uk)
cover (d-j) price
224pp. including titles, indicia etc, bound with endpapers between covered boards
does not include ''the white boat'' (this comment is from another edition of this book)
different editions of "pavane" do, or do not, contain the novelette, "the white boat":
for those lacking it, it is included in his collection "the grain kings" (1976), q.v.
complete story cycle, i.e. contents of ''complete'' editions:
"prologue" (short story) (1966, impulse vol.1 #2, 4/1966, in:)
"the lady margaret" (novelette, as "the lady ann" (throughout); includes the prologue) impulse vol.1 #2, 4/1966 (the cover story, art by keith, signed "k.roberts•65")
"the signaller" (novelette) impulse vol.1 #1, 3/66
"brother john" (novelette) impulse vol.1 #3, 5/66
"lords & ladies" (novelette) impulse vol.1 #4, 6/66
"the white boat" (novelette) new worlds #169, 12/66 (n.b. not in all editions of "pavane")
"corfe gate" (novelette) impulse vol.1 #5, 7/66
"coda" (short story) (1968; original to this collection/fix-up) (this comment is from another edition of this book)
Rated 10/10the classic story cycle set in a vision of the england that developed after queen elizabeth's assassination, and the reclaiming of the country for roman catholicism (and himself) by philip II, widower of queen mary, with sword and arquebus, crossbow and cannon ruling the european battlefield, horse, pack-horse and horse-and-cart or ox-cart transport on the rutted, muddy roads of england - though the steam-powered traction engine is beginning to make an impact; and telecommunications provided somewhat uncertainly - and only for the few - by carrier-pigeon and a limited coverage of semaphore stations, some set really isolated in the wilds, and their dedicated service of signallers.
a gem - or a bejewelled bracelet of small gems - of quietly beautiful storytelling, with adventure as well as vision - and a delicate touch. (this review is from another edition of this book)
does not include "the white boat". keith was inconsistent° as to whether the collection should or should not include this - or the prologue, and/or the coda, for that matter - upon occasion. . .
° - as he was in and upon many things... (this comment is from another edition of this book)