@JimEss don't over-sell my merkin sfbc knowledge - it (the us club) went through phases where what it was doing was more-or-less simple, more - or less - clear, more or less clearly signalled (usually by dropping the ''first edition'' from the indica of the doubleday first edition h/cvr (where doing an sfbc edition of a doubleday-originated title) and varying the printer's date code in the gutter of a page near the end of the book - which iiuc it did for every reprint, whether book club edition or no) - drawing a clear distinction between using its own ''nelson doubleday'' or similar imprint and using the originating publisher's imprint on its club editions, signifying yr-hmbl-srppnt.-knows-not-what; and *then* bantam doubleday dell (by then) sold off their science fiction bookclub...
- at which point i stopped even trying to keep track of their changes, and just relied upon locus's listings of books received.
- various doubleday & doubleday sfbc editors & ex-editors kept records over the decades, and have published some of the information they archived privately; i don't know whether the printer's/publisher's date code system's ever been explained in full - and people wonder why...
@ppint, yes you're correct. I'll have this one changed to August. Now that I know you're confident dating sfbc books, I'll haul out some of my older ones, lol.
cover (d-j) art by jim burns (shared with/from gollancz uk h/cvr & yp/b first editions 5/2002)
cover price u.s. $25.95, canadada $39.50
rear cover (d-j) bar-code is l-r centered, and includes merkin cover price in extended bar-code & number
near-identical us science fiction book club h/cvr edition (harpercollins eos imprint) 8/2002
rear cover (d-j) barcode block is off-set towards left into corner, lacks price element;
sfbc cat# 51995 added towards the right corner in its own whites a karo under cutout from art.
novel serialised in asimov's vol.25 #10 & 11, #12, vol.26 #1; 11 & 12/2001, 1/2002, 2/2002
parts 1 & 2 with one b+w illustration each by darryl elliott, pt. 3 with one by broeck steadman