why me? (nf introduction) isaac asimov
on venus, have we got a rabbi (novelette) william tenn (habitual pseudonym of philip klass) (orig.)
the golem (short story) avram davidson, f&sf vol.8 #5, 3/1955
unto the fourth generation (ss) isaac asimov, f&sf vol.16 #4, 4/1959; venture bre #16, 12/1964
look, you think you've got troubles (ss) carol carr, in ''orbit 5'' ed. damon knight (1969), q.v.
goslin day (ss) avram davidson, in ''orbit 6'' ed. damon knight (1970), q.v.
the dybbuk of mazel tov iv (ss) robert silverberg (orig.)
trouble with water (ss) horace l. gold, unknown vol.1 #1, 3/1939 as by ''h. l. gold''
gather blue roses (ss) pamela sargent, f&sf vol.42 #2, 2/1972
the jewbird (ss) bernard malamud, the reporter (new york biweekly magazine) 11/4/1963
paradise lost (ntte) geo. alec effinger (orig.)
street of dreams, feet of clay (ss) robert sheckley, galaxy vol.26 #3, 2/1968 with three b+w illustrations by vaughn bodé
jachid and jachida (ss) isaac bashevis singer, translation of ''yahid un yehida'' in ''die goldene keyt'' (1964), translation by isaac bashevis singer & elizabeth pollett
i'm looking for kadak (ntte) harlan ellison (orig.)
ellison's grammatical guide and glossary for goyim (nf) harlan ellison (orig.)
evsise, the grouchmoid (cartoon) tim kirk (orig.)
pocket books mmpb first printing, first p/b edition
thematic anthology of three novelettes and ten short stories, introduction by isaac asimov
mostly original, partly reprint anthology
cover art by charles moll (signed with stylised ''cm'', credited)
cover price $1.50
256pp. including titles, indicia, table-of-contents etc, end pp. advertising
the woburn press h/cvr first printing, first uk edition, not first h/cvr edition (was harper & row 1974, q.v.)
thematic mostly original, partly reprint anthology of three novelettes and ten short stories, introduction by isaac asimov
cover (d-j) art (none: d-j is wholly typographical on red field, designed by lawrence edwards)
cover (d-j) price £3.50
244pp. (check) including titles, indicia, table-of-contents etc, bound with endpapers between covered boards (this comment is from another edition of this book)