CD1 - The Great Blockbusters |
1-01 | London Philharmonic Orchestra | Also Sprach Zarathustra - Sunrise (2001 : A Space Odyssey) | Richard Strauss | Rate |
1-02 | Oslo Philharmonic Orchestra, Mariss Jansons | Die Walküre (The Valkyrie) - Ride Of The Valkyries (Apocalypse Now) | Richard Wagner | Rate |
1-03 | Northern Sinfonia Chorus - London Symphony Chorus | Requiem In D Minor K626 - Lacrimosa (Amadeus) | Mozart | Rate |
1-04 | Orchestra / David Abel | My Heart Will Go On (Titanic) | James Horner | Rate |
1-05 | City Of Prague Philharmonic Orchestra | Main Theme (You Only Live Twice) | John Barry | Rate |
1-06 | Geoff Love And His Orchestra | Main Theme (Star Wars) | John Williams | Rate |
1-07 | Crouch End Festival Chorus / The City Of Prague Philharmonic | Gladiator Theme (Extract) | Zimmer, Gerrard, Badelt | Rate |
1-08 | Orchestre Du Theatre De L'Opera-Comique / Pierre Dervaux | Les Pecheurs Des Perles - Au Fond Du Temple Saint (Gallipoli) | Bizet | Rate |
1-09 | Philharmonia Orchestra, Riccardo Muti | Cavelleria Rusticana - Intermezzo (The Godfather III) | Mascagni | Rate |
1-10 | City Of Prague Philharmonic Orchestra, Nic Raine | The Fellowship (The Lord Of The Rings: The Fellowship Of The Ring) | Howard Shore | Rate |
1-11 | City Of Prague Philharmonic Orchestra, Nic Raine | Fawkes The Phoenix (Harry Potter And The Chamber Of Secrets) | John Williams | Rate |
1-12 | Crouch End Festival Chorus / The City Of Prague Philharmonic / Paul Bateman | Hymn To The Fallen (Saving Private Ryan) | John Williams | Rate |
1-13 | Augustin Dumay (Violin), Gerrard Causse (Viola), Gary Hoffman (Cello) | III. Menuetto Allegretto (Mission Impossible) | Mozart | Rate |
1-14 | Oslo Philharmonic Orchestra, Mariss Jansons | The Sorcerer's Apprentice (Extract) (Fantasia) | Dukas | Rate |
1-15 | City Of Prague Philharmonic, Paul Bateman | End Titles (Braveheart) | James Horner | Rate |
CD 2 The Classic Movies |
2-01 | City Of Birmingham Symphony Orchestra, Simon Rattle | II. Adagio Sostenuto Opening (Somewhere In Time) | Rachmaninov | Rate |
2-02 | Choir Of King's College, Cambridge, Timothy Beasley-Murray, Gerald Finley | Miserere Extract (Chariots Of Fire) | Allegri | Rate |
2-03 | Manuel Barrueco And Steve Morse | Cavatina (The Deer Hunter) | Stanley Myers | Rate |
2-04 | Philadelphia Orchestra, Eugene Ormandy | Adagio For Strings (Platoon) | Barber | Rate |
2-05 | New Philharmonia Orchestra, Sir John Barbirolli | IV. Adagietto Conclusion (Death In Venice) | Mahler | Rate |
2-06 | Nikolaj Bloch, Sally Herbert | Any Other Name (American Beauty) | Thomas Newman | Rate |
2-07 | Ron Goodwin And His Concert Orchestra | Main Theme (E.T.) | John Williams | Rate |
2-08 | New World Philharmonic, Iain Sutherland | Main Theme (Schindlers List) | John Williams | Rate |
2-09 | Ennio Morricone And His Orchestra | Gabriel's Oboe (The Mission) | Morricone | Rate |
2-10 | Academy Of St. Martin-in-the-Fields, Neville Marriner | I. Allegro Co Brio Opening (William Shakespeare's Romeo + Juliet) | Mozart | Rate |
2-11 | Halle Orchestra, Sir John Barberolli | Main Theme From La Forza Del Destino Overture (Jean De Florette) | Verdi | Rate |
2-12 | Academy Of St. Martin-in-the-Fields, Neville Marriner | II. Romance: Andante (Alien) | Mozart | Rate |
2-13 | City Of Prague Philharmonic, Paul Bateman | Love Theme (Cinema Paradiso) | Morricone | Rate |
2-14 | The Philadelphia Orchestra, Mariss Jansons | Jazz Suite No.2 - Waltz No.2 (Eyes Wide Shut) | Shostakovich | Rate |
2-15 | The Philadelphia Orchestra, Riccardo Muti | Ode To Joy From Symphony No.9 In D Minor Op. 125 Choral (A Clockwork Orange) | Beethoven | Rate |
CD 3 Favourite Movies |
3-01 | Academy Of St. Martin-in-the-Fields, Neville Marriner | Serenade In G K525 'Eine Kleine Nachtmusik' (Ace Ventura: Pet Detective) | Mozart | Rate |
3-02 | Staatskapelle Dresden, Hans Vonk | II. Adagio (Out Of Africa) | Mozart | Rate |
3-03 | London Symphony Orchestra, André Previn | III. Rondo: Allegro (Amadeus) | Mozart | Rate |
3-04 | Christopher Parkening | Memories Of The Alhambra (Sideways) | Tarrega | Rate |
3-05 | Berliner Philharmoniker, James Galway,Herbert Von Karajan | II. Andantino Extract (The Joy Luck Club) | Mozart | Rate |
3-06 | London Session Orchestra, Paul Daniel | Stabat Mater - Stabat Mater Doloroso (The Talented Mr. Ripley) | Pergolesi | Rate |
3-07 | Berliner Philharmoniker, Riccardo Muti | Ave Verum Corpus K618 (Lorenzo's Oil) | Mozart | Rate |
3-08 | Academy Of St. Martin-in-the-Fields, Neville Marriner | III. Rondo (JFK) | Mozart | Rate |
3-09 | Hungarian Quartet, Laszlo Varga | II. Adagio Opening (Carrington) | Schubert | Rate |
3-10 | Royal Philharmonic Orchestra, Sir Colin Davis | Le Nozze Di Figaro - Overture (Runaway Bride) | Mozart | Rate |
3-11 | London Philharmonic Orchestra, Norman Del Mar | I. Adagio - Moderato Opening (Hilary And Jackie) | Elgar | Rate |
3-12 | Academy Of St. Martin-in-the-Fields, Neville Marriner | I. Molto Allegro Extract (The Living Daylights) | Mozart | Rate |
3-13 | London Symphony Orchestra, Sir Adrian Boult | 'Enigma' Variations - Nimrod (Elizabeth) | Elgar | Rate |
3-14 | Berliner Philharmoniker, Herbert Von Karajan | I. Allegro Moderato Opening (Minority Report) | Schubert | Rate |
3-15 | Academy Of St. Martin-in-the-Fields, Neville Marriner | IV. Rondo: Allegro (There's Something About Mary) | Mozart | Rate |
3-16 | London Symphony Orchestra, André Previn | Swan Lake - Scene: Act II No.10 (Billy Elliot) | Tchaikovsky | Rate |
3-17 | Philharmonia Orchestra, Sir Simon Rattle | The Planets Suite - Jupiter, The Bringer Of Jollity Conclusion (The Right Stuff) | Holst | Rate |
CD 4 The Piano At The Cinema |
4-01 | Michael Nyman | The Heart Asks Pleasure First / The Promise (The Piano) | Michael Nyman | Rate |
4-02 | Halle Orchestra, Brydon Thomson | II. Andante (Elvira Madigan) | Mozart | Rate |
4-03 | Dimitri Alexeev | Prelude No. 15 In D Flat 'Raindrop' (Face / Off) | Chopin | Rate |
4-04 | Philharmonia Orchestra, Sir Adrian Boult | II. Romance Extract (Amadeus) | Mozart | Rate |
4-05 | Dimitri Alexeev | Waltz In C Sharp Minor Op. 64 No.2 (Private Benjamin) | Chopin | Rate |
4-06 | Andrei Gavrilov | III. Rondo All Turca: Allegretto (The Truman Show) | Mozart | Rate |
4-07 | Symphonieorchester Des Bayerischen Rundfunks, David Zinman | II. Andante (The Associate) | Mozart | Rate |
4-08 | Andrei Gavrilov | I. Adagio Grazioso Opening (A Beautiful Mind) | Mozart | Rate |
4-09 | Dame Moura Lympany | I. Adagio Sostenuto Extract (Immortal Beloved) | | Rate |
4-10 | Maria Tipo | Nocturne In C Sharp Minor (The Pianist) | Chopin | Rate |
4-11 | London Symphony Orchestra, André Previn | I. Allegro Non Troppo E Molto Maestoso Opening (The Music Lovers) | Tchaikovsky | Rate |
4-12 | Anne Queffelec | Gymnopedie No. 1 (What Lies Beneath) | Satie | Rate |
4-13 | Dimitri Alexeev | Waltz In D Flat Op. 64 No. 1 'Minute' (Paycheck) | Chopin | Rate |
4-14 | Dame Maura Lympany | Fur Elise (Rosemary's Baby) | Beethoven | Rate |
4-15 | Montreal Symphony Orchestra, Charles Dutoit | II. Romance: Larghetto Opening (The Truman Show) | Chopin | Rate |
4-16 | Dame Maura Lympany | Clair De Lune (Ocean's Eleven) | Debussy | Rate |
4-17 | Alex Slobodyanik | Polonaise No.6 In A Flat Op. 53 (Shine) | Chopin | Rate |
CD 5 Opera At The Cinema |
5-01 | Coro E Ochestra Del Teatro Alla Scala Di Milano, Tullio Serafin | Norma - Casta Diva (The Bridges Of Madison County) | Bellini | Rate |
5-02 | Philharmonia Orchestra, Julius Rudel | Rigoletto - La Donna E Mobile (Captain Corelli's Mandolin) | Verdi | Rate |
5-03 | Wiener Philharmoniker, Riccardo Muti | Cosi Fan Tutti - Soave Sia Il Vento (Closer) | Mozart | Rate |
5-04 | Berliner Philharmoniker, Herbert Von Karajan | Il Travatore - D'amor Sull'ali Rosee (Basquiat) | Verdi | Rate |
5-05 | London Philharmonic Orchestra, Bernard Haitink | Le Nozze Di Figaro - Non Piu Andrai (Trading Places) | Mozart | Rate |
5-06 | Orchestra Of The Royal Opera House, Antonio Pappano | Tosca - Vissi D'arte (Copycat) | Puccini | Rate |
5-07 | London Philharmonic Orchestra, Bernard Haitink | Cosi Fan Tutte - Un' Aura Amorosa (My Left Foot) | Mozart | Rate |
5-08 | Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink | Die Zauberflote - Der Holle Rache (Miss Congeniality) | Mozart | Rate |
5-09 | London Philharmonic Orchestra, Bernard Haitink | Le Nozze Di Figaro - Canzonetta Sull' Aria (The Shawshank Redemption) | Mozart | Rate |
5-10 | Philharmonia Orchestra, Tullio Serafin | Andrea Chenier - La Mama Morta (Philadelphia) | Giordano | Rate |
5-11 | Philharmonia Orchestra, Carlo Maria Giulini | Don Giovanni - La Ci Darem La Mano (Babbette's Feast) | Mozart | Rate |
5-12 | Orchestre De La Societe Des Concerts Du Conservatoire, Georges Pretre | Tosca - E Lucevan Le Stelle (Heavenly Creatures) | Puccini | Rate |
5-13 | Orchestre Du Theatre National De L'Opera De Paris, Georges Pretre | Carmen - L'amour Est Un Oiseau Rebelle (Callas Forever) | Bizet | Rate |
5-14 | National Philharmonic Orchestra, James Levine | La Boheme - Che Gelida Manina (Moonstruck) | Puccini | Rate |
5-15 | Münchener Rundfunk Orchester, Lamberto Gardelli | Rusalka - Song To The Moon (Driving Miss Daisy) | Dvorak | Rate |
5-16 | Münchener Rundfunk Orchester, Lamberto Gardelli | La Wally - Ebben Ne Andro Lontana (Diva) | Catalani | Rate |
5-17 | Orchestre Symphonique De MChoeurs De L'Opera National Du Theatre Royal De La Monnaie, Bruxelles | Les Contes D'Hoffmann - Belle Nuit (Life Is Beautiful) | Offenbach | Rate |
5-18 | Orchestre Philharmonique De Strasbourg, Alain Lombard | Turandot - Nessun Dorma (The Witches Of Eastwick) | Puccini | Rate |
CD 6 Baroque Goes To The Cinema |
6-01 | Academy And Chorus Of St. Martin In The Fields, Neville Marriner | Solomon - The Arrival Of The Queen Of Sheba (For Weddings And A Funeral) | Handel | Rate |
6-02 | Wayne Marshall At The Organ Of Coventry Cathedral | Toccata And Fugue In D Minor BWV 565 - Fugue (The Aviator) | J.S. Bach | Rate |
6-03 | London Philharmonic Orchestra, Sir Andrew Davis | Zadok The Priest (The Madness Of King George) | Handel | Rate |
6-04 | Bath Festival Orchestra, Yehudi Menuhin | II. Largo Ma Non Tanto Opening (Children Of A Lesser God) | J.S. Bach | Rate |
6-05 | Taverner Choir And Players, Andrew Parrott | Gloria - Gloria In Excelsis Deo (Someone To Watch Over Me) | Vivaldi | Rate |
6-06 | Jordi Savall, Ton Koopman | II. Adagio Opening | J.S. Bach | Rate |
6-07 | Academy Of St. Martin-in-the-Fields, Neville Marriner | Adagio In G Minor Extract (Gallipoli) | Albinoni, Realised Giazotto | Rate |
6-08 | Toulouse Chamber Orchestra, Louis Auriacombe | I. Allegro (Kramer Vs Kramer) | Vivaldi | Rate |
6-09 | Maria Tipo | Goldberg Variations BWV 788 - Aria (The Silence Of The Lambs) | J.S. Bach | Rate |
6-10 | Bath Festival Orchestra, Yehudi Menuhin | III. Larghetto E Piano (Pirates Of The Caribbean: The Curse Of The Black Pearl) | Handel | Rate |
6-11 | Academy Of St. Martin-in-the-Fields, Neville Marriner | Orchestral Suite No.3 In D BWV 1068 - Air 'on The G String' (Runaway Bride) | J.S. Bach | Rate |
6-12 | Academy And Chorus Of St. Martin In The Fields, Neville Marriner | Canon In D (Ordinary People) | Pachelbel | Rate |
6-13 | Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | II. Largo (The Other Sister) | Vivaldi | Rate |
6-14 | Choir Of King's College, Cambridge, Academy Of St. Martin In The Fields, Sir David Wilcocks | Cantata No. 147 Jesu, Joy Of Man's Desiring (Meet The Parents) | J.S. Bach | Rate |
6-15 | Andrei Gavrilov | Keyboard Suite In D Minor - Sarabande (Barry Lyndon) | Handel | Rate |
6-16 | Andrei Gavrilov, Academy And Chorus Of St. Martin In The Fields, Sir Neville Marriner | II. Largo (Lara Croft: Tomb Raider) | J.S. Bach | Rate |
6-17 | Polish Chamber Orchestra, Jerzy Maksymiuk | I. Allegro Moderato (Hannibal) | J.S. Bach | Rate |
6-18 | Choir Of King's College, Cambridge, Academy And Chorus Of St. Martin In The Fields, Sir Neville Marriner | Messiah - Hallelujah Chorus (Bridget Jone's Diary) | Handel | Rate |