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CD Album

Artist:Eels
Title:Daisies Of The Galaxy
Label:  Dreamworks
Country:Europe
Date:2000
Catalogue:450 218-2
Barcode:600445021822
Format:CD Album
Collection:  I Own It     I Want It 
Community: 5 Own
Price Guide:Valuation Page
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TrackArtistTitleComposerRating
01EelsGrace Kelly BluesE9.0  Rate
02EelsPacking BlanketsE8.0  Rate
03EelsThe Sound Of FearE9.0  Rate
04EelsI Like BirdsE8.0  Rate
05EelsDaisies Of The GalaxyE8.0  Rate
06EelsFlyswatterE10.0  Rate
07EelsIt's A MotherfuckerE9.0  Rate
08EelsEstate SalePeter Buck, E8.0  Rate
09EelsTiger In My TankE9.0  Rate
10EelsA Daisy Through ConcreteE8.0  Rate
11EelsJeannie's DiaryE8.0  Rate
12EelsWooden NickelsE8.0  Rate
13EelsSomething Is SacredE8.0  Rate
14EelsSelective MemoryE8.0  Rate
15EelsMr E's Beautiful BluesMichael Simpson, E9.5  Rate


Notes

All songs written by "E" aka A Man Called E aka Mark Oliver Everett

Also as DigiPak with same cat# and barcode

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Comments and Reviews
 
sladesounds
6th Sep 2014
 



The Eels were always a vehicle for a songwriter called (E), but by the point of their third album, 2000's Daisies of the Galaxy, they were his and his alone. When it came time to deliver a follow-up to the intimate, tortured Electro-Shock Blues, (E) couldn't help but deliver a lighter album, but he'd already turned so far into himself that his music was entirely insular. Of course, his music had always been fairly insular, but if Daisies of the Galaxy is any indication, he's gone so far in, he can't really come out. He's certainly not as extreme as Brian Wilson or Syd Barrett, but he's at the level of XTC or Roy Wood, making pop music for an already-established audience. Nothing on Daisies of the Galaxy will draw in casual listeners the way "Novocaine for the Soul" did, since everything is in miniature, from the yardsale production to the poetic scrawlings. Unlike its predecessor, the album doesn't play like (E)'s private diary; instead, it feels as if one is rummaging through his sketchbook. And, like many sketchbooks, some moments have blossomed, and others remain just intriguing, unformed ideas. For the dedicated, it's worth sifting through the album to find the keepers, since there are enough moments of quirky genius. But not all longtime fans will find this rewarding, since (E) has spent more time in creating mood than crafting songs. There are very few melodies that resonate like his best work, and the stripped-down, yet eccentric production -- sounding much like a cross between Jon Brion and Beck -- never feels realized. That's the problem with an offbeat, gifted musician becoming too insular; there are still clear clues of why he has his reputation, but there's not enough to justify exactly why he does.
All Music Review by Stephen Thomas Erlewine
 

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