in fact, two capitol albums. (as opposed to "capital". . .) (& submitted as a correction)
the fortunes' post-decca recording career is mildly surreal, and more than slightly schizoid - but on the side of the musicbusinessmegacorpses, not the group:
signing to liberty/united artists in the uk (etc.), they were placed on the united artists uk label. the uk liberty label was abandoned and artists not "let go" were transferred to ua but, meanwhile, their recordings having been initially released on the merkin united artists label, the fortunes were transferred from that label onto the world pacific label - because merkin liberty closed down their merkin united artists label. . .
- so despite being released by bits of the same minimegamusiccorpse, they were still on different labels in the minimegaportfolio on the two sides of the pond. . .
- after the label managers for the parent transamerica corporation's buyout of the mini-group with the help of emi's money went wrong - they lost elo to jet records, and the jet records merkin distribution contract that provided most or all of their operating profit with it - emi foreclosed on the debt, and took full control of liberty/united artists/world pacific/sunset, beginning to integrate them into merkin capitol records and onto the capitol label (aside of the sunset budget line label) worldwide.
- and with a contract with capitol-emi signed, the fortunes' 1967-on recordings seemed set for unification on the major label, and the pop vocal harmony group for greater things to come. . .