disc1 tracks 1-12 recorded 3/70 sound techniques studio, chelsea, london, and released 1970 as rca lp sf 8113, hark! the village wait. gerry conway & dave mattacks, guest-drummers; steeleye span members as per the varying "arranged by" credits.
disc1 tracks 13-18 & disc2 tracks 1-6 recorded end-1970 at sound techniques, and released possibly 1970 as b&c charisma lp cas 22, or 1971 as b&c lp cas 1029, please to see the king.
disc2 tracks 7-15 recorded 9/71 at sound techniques, and released 1971 as pegasus lp peg9, ten man mop or mr reservoir rides again.
all tracks produced by sandy roberton for september productions. disc2 track 16 is given a (c) & (p) date of 2000: there is no track 16 on the disc- it probably refers to track 15, which is an outtake, but may not, as this saw the light of day on the compilation lp, b&c charisma cs5, individually & collectively.
Review* - boys of bedlam is an arrangement - to original music, so far as i know - of the anonymous poem, "tom o'bedlam", found in the british museum ms. "everyday book" i first saw ref'ed as "giles earle, his booke" c.1615 a.d./ce in the wondrous anthology edited and feetnoted by walter de la mere, "come hither" (q.v.).
it doubtless has its own british museum ms. ref. no, as important to it (and to scholars) as any 45cat or "33cat" no.- but i do not know it, offhand. (if i remember to, i'll look it up & emend this.)
it's highly recommended, and has been a mild obsession of mine for some fifty years :-).
giles earle's everyday book is dated to the first half of the seventeenth century a.d./ce as he was a living musician and collector of songs "floreat" ("flourishing" = alive and working) circa (around) 1615 c.e.(a.d.)
"when i was on horseback" is also, and perhaps better-known as "lock hospital"; this was a common name for the secure - and armed-guarded - hospitals set up to restrain the incurable infectious to prevent them spreading the diseases they carried, frequently venereal diseases.