Here come Ray Conniff and the Singers A-caroling some of
the most beloved songs of Christmas--old, new, familiar,
unusual. In preparing his holiday album, Ray carefully sifted
through the rich treasure of Christmas music, selected some
of the most warmly glowing songs and adapted them for the
unique voices of the Singers. The result is not only a tribute
to Ray's creativity but also a wondrous reminder in song of
the season's exuberance and grandeur. A "surprise package"
is a moving Ray Conniff original, The Real Meaning of
Christmas.
From Ray and the Singers: The Very Best of Season's
Greetings!
Governor Music,
Inc.
(BMI)
~~~~~~~~~~~~~~~~~~~~~~
mx. HCO 72662
Recorded at CBS Recording Studios
in Hollywood, California on
Friday, July 23, 1965
Unfortunately, ROCK OF AGES seems to be the only CD Album of the Mormon Tabernacle Choir at this site, but I have this selection (Track 11) to highlight from the 2004 CD..
Would be cool if someone made a page for this CD.
I do not know how to do that.
~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~
11
CANDLELIGHT CAROL
Mormon Tabernacle Choir
[4:41]
SING, CHOIRS OF ANGELS!
MORMON
TABERNACLE
CHOIR
Orchestra at
Temple Square
Music and Text:
John Rutter
Craig Jessop,
Mack Wilberg
Conductors
Mormon
Tabernacle
Choir
MTC 1063
~~~~~~~~~~~~~~~~~~~~~~
This favorite among John Rutter's
carols captures our hearts with
its vivid imagery of sound and
light to tell the angels' story
and to sing their song of glory.
~~~~~~~~~~~~~~~~~~~~~~
Choir President:
Mac Christensen
Music Director:
Craig Jessop
Associate Music
Director:
Mack Wilberg
Organists:
John Longhurst,
Clay Christiansen,
Richard Elliott
Choir Management:
Stan Parrish,
Scott Barrick,
Barry Anderson
Choir Office:
Ann Turner,
Julie Rohde
Recording Producers:
Mack Wilberg,
Craig Jessop,
Bruce Leek,
Fred Vogler
Recording Engineers:
Bruce Leek,
Fred Vogler
Assistant Engineer:
Chris Acton
Production Coordinator:
Scott Barrick
Orchestra Coordinator:
Barry Anderson
Engineering Crew:
Lynn Robinson,
Milo Lefler,
Gaylen Smith
Stage Managers:
Jim Turner,
Alex Morris
Editing:
Bruce Leek,
Craig Jessop,
Mack Wilberg
Mastering:
Bruce Leek
Publication Coordinator:
Jana Erickson
Album Design:
Sheryl Smith,
Shauna Gibby
Liner Notes:
Roger Miller,
Scott Barrick,
Julie Rohde
Technical Credits
Recorded in the Salt Lake Tabernacle,
Salt Lake City, Utah, May 19-22, 2004.
Microphones:
Sennheiser MKH800, MKH40, MKH20;
Schoeps CMC6.21, CMC6.2H, Beyer M160;
Mic Preamps:
Millennia Media, FM Acoustics,
Grace Design;
Cabling:
MIT 2C/3D Proline;
Console:
Ramsa 4424 (modified by John Windt);
Converter:
Prism Sound ADA-8/2024T;
Storage:
Tascam DA38; Tascam MX2424,
Panasonic SV3800.
Monitors:
ATC SCM20SLA;
AC Power conditioning:
PS Audio.
Music Publisher/
Copyright Information
by Track Numbers:
Manufactured by
American Gramaphone,
9130 Mormon Bridge Road,
Omaha, Nebraska 68152,
(402) 457-4341
~~~~~~~~~~~~~~~~~~~~~~
MANNHEIM STEAMROLLER
CHRISTMAS
Arranged,
Conducted and
Produced by
Chip Davis
Recorded and Mixed by
John Boyd at
Sound Recorders
CD Mastering by
Joe Gastwirt/JVC
Arrangements
published by
Dots and Lines Ink
THE MANNHEIM STEAMROLLER
Jackson Berkey --
Baldwin SD-10,
Davis Harpsichord,
Clavichord and
Toy Piano,
Prophet 5,
Fender Rhodes,
vocals,
camel bells,
production assistance
Eric Hansen --
Lute,
Bass
Chip Davis Toys --
Drums,
percussion,
recorder/solos
and chorus,
Black Oak
Hammered Dulcimer,
soprano Dulcian,
Crumhorn,
camel bells,
vocals,
dry ice,
dots and lines
Ron Cooley --
Classical Guitar,
12-String
Steve Shipps --
Violin solos
(Renaissance Ensemble
Le Doo Dah)
David (High D) Kappy --
French Horn
David Low --
Cello solos
(Renaissance Ensemble
Le Doo Dah)
Mary Walter --
Harp
(Renaissance Ensemble
Le Doo Dah)
Willis Ann Ross --
Flute
Bobby Jenkins --
Oboe
Strings:
Richard Lohmann,
Richard Altenbach,
Grace Granata,
Wayne Anderson,
Bill Ritchie,
Michelle Brill,
Michael Strauss,
Roxanne Adams
Ron Dabbs --
Sand storm,
camel bells
(he's the one
in the middle)
Louis Davis, Sr. --
Keyboard technician
Carol Davis --
Design, photography
and art director
Manufactured by
American Gramaphone
Records
9130 Mormon Bridge Road,
Omaha, Nebraska 68152
(402) 457-4341
~~~~~~~~~~~~~~~~~~~~~~
MANNHEIM STEAMROLLER
CHRISTMAS
~~~~~~~~~~~~~~~~~~~~~~
The Coventry Carol
This carol was originally from the mid 1400's, however, the melody as it is in this version, is derived from a later version in 1591.
I chose to set the harmonic structure and instrumental color as closely to the period as I could. In this case, the guitar probably would have been a lute, and the harpsichord, of course, is itself.
~~~~~~~~~~~~~~~~~~~~~~
Recorded at Sound Recorders
in Omaha, Nebraska in 1984
Mfg. by American
Gramaphone Records
9130 Mormon Bridge Road
Omaha, NE 68152
1280-51988-1
~~~~~~~~~~~~~~~~~~~~~~
American Gramaphone
Records
AGCD 1988
Arrangements
Published by
Dots and Lines Ink
SESAC
℗ 1988
American Gramaphone
Records
~~~~~~~~~~~~~~~~~~~~~~
Arranged, Conducted
and Produced by
Chip Davis
Engineered by
John Boyd,
Bill Bradley,
Campbell Hughes
Mixed by
John Boyd
Engineering and
Producing Assistants --
Brian Ackley,
Wayne Jesz
Time Code
Mastering --
Sound Recorders,
Wayne Jesz
Orchestral Assistant --
Louis J. Stout, Jr.
Arrangements
Published by
Dots and Lines Ink
SESAC
Commissioned
Artwork
"The Christmas Painting"
by Gilbert Williams
Cover Concept from
Christmas 2086
Packaging Design by
Hirsch Design
American Gramaphone
American Gramaphone
Records
AGCD 1988
0 1280-51988-2
~~~~~~~~~~~~~~~~~~~~~~
The Mannheim Steamroller
and Renaissance Ensemble
Le Doo Dah
(Senza Rock & Roll)
Chip Davis
Percussion, Winds
and Data
Jackson Berkey
Keyboards
and Momma
Eric Hansen
Lute and Pillage
Ron Cooley
Classical Guitar
Bob Jenkins
Oboe
Willis Ann Ross
Flute
Mary Walter
HARPing on and on
Steven Shipps
Violin (solo)
Arnie Roth
Violin
John Sharpe
Cello
David Low
Cello
MAC
Midi
Liz Westphalen
and Chip Davis
Sample Vocals
This is just a sample of what Liz can do.
Special thanks to Hender (the fun)
for providing 'em, to Rooty (the wife)
for wearing 'em, and to MAKEVER (the horse)
for trotting the BELL out of 'em.
They just sleigh me . . .
~~~~~~~~~~~~~~~~~~~~~~
The Holly & The Ivy
Ancient French Melody
From an old French carol of ancient times, The Holly and the Ivy were symbolic of the ancient worship of nature. This carol became yet another blending of a secular topic with a sacred topic.
~~~~~~~~~~~~~~~~~~~~~~
Recorded at probably either..
Sound Recorders in Omaha, Nebraska in 1988
St. Michael's Cathedral in Chicago, Illinois in 1988
Universal Studios in Chicago, Illinois in 1988
Mfg. by American
Gramaphone Records
9130 Mormon Bridge Road
Omaha, NE 68152
1280-51988-1
~~~~~~~~~~~~~~~~~~~~~~
American Gramaphone
Records
AGCD 1988
Arrangements
Published by
Dots and Lines Ink
SESAC
℗ 1988
American Gramaphone
Records
~~~~~~~~~~~~~~~~~~~~~~
Arranged, Conducted
and Produced by
Chip Davis
Engineered by
John Boyd,
Bill Bradley,
Campbell Hughes
Mixed by
John Boyd
Engineering and
Producing Assistants --
Brian Ackley,
Wayne Jesz
Time Code
Mastering --
Sound Recorders,
Wayne Jesz
Orchestral Assistant --
Louis J. Stout, Jr.
Arrangements
Published by
Dots and Lines Ink
SESAC
Commissioned
Artwork
"The Christmas Painting"
by Gilbert Williams
Cover Concept from
Christmas 2086
Packaging Design by
Hirsch Design
American Gramaphone
American Gramaphone
Records
AGCD 1988
0 1280-51988-2
~~~~~~~~~~~~~~~~~~~~~~
The Mannheim Steamroller
and Renaissance Ensemble
Le Doo Dah
(Senza Rock & Roll)
Chip Davis
Percussion, Winds
and Data
Jackson Berkey
Keyboards
and Momma
Eric Hansen
Lute and Pillage
Ron Cooley
Classical Guitar
Bob Jenkins
Oboe
Willis Ann Ross
Flute
Mary Walter
HARPing on and on
Steven Shipps
Violin (solo)
Arnie Roth
Violin
John Sharpe
Cello
David Low
Cello
MAC
Midi
Liz Westphalen
and Chip Davis
Sample Vocals
This is just a sample of what Liz can do.
Special thanks to Hender (the fun)
for providing 'em, to Rooty (the wife)
for wearing 'em, and to MAKEVER (the horse)
for trotting the BELL out of 'em.
They just sleigh me . . .
~~~~~~~~~~~~~~~~~~~~~~
Greensleeves
16th Century English
Because of the staggering number of requests for this, I decided to do it again (fourth time) for this album. It shows up on several other albums in the American Gramaphone catalog. This is an Old English folk song from around the time of Shakespeare. I saved the beauty of the entirety of the tune until the last arrangement as not to wear out its charm.
~~~~~~~~~~~~~~~~~~~~~~
Recorded at probably either..
Sound Recorders in Omaha, Nebraska in 1988
St. Michael's Cathedral in Chicago, Illinois in 1988
Universal Studios in Chicago, Illinois in 1988
℗ 1992 Neil Diamond and
Sony Music Entertainment Inc./
Manufactured by
Columbia Records/
666 Fifth Ave., P.O. Box 4455,
New York, N.Y. 10101-4455/
"Columbia" Reg. U.S. Pat. &
Tm Off. Marca Registrada/
Warning:
All Rights Reserved.
Unauthorized duplication is a
violation of applicable laws.
~~~~~~~~~~~~~~~~~~~~~~
Writers-
Joseph Carleton Beal,
James Ross Boothe
Drums-
Nathaniel Kunkel/
Bass-
Bob Glaub
Acoustic Guitars-
Andrew Gold/
Tambourines-
Peter Asher
Electric Guitar-
Waddy Wachtel
Doo-Wop Background
Vocals Arranged by
David Campbell
Doo-Wop Singers:
Jim Haas,
Jon Joyce,
Gene Morford,
Jerry Whitman
Choir Arranged
And Conducted By
David Campbell
Symphony Orchestra
Arranged And
Conducted by
David Campbell/
Concertmaster-
Gavyn Wright
Rhythm Track
Arranged by
Peter Asher
Chappell & Co.
(ASCAP)
~~~~~~~~~~~~~~~~~~~~~~
Album Produced by
Peter Asher
Recorded and Mixed
by Frank Wolf
Assisted by
Nathaniel Kunkel
and Brett Swain
Additional Assistants-
Chad Blinman,
Alec Marcou,
Gil Morales,
Marnie Riley
and Eric Rudd
Recorded at
Conway Recording Studios/
Los Angeles-
Arch Angel Recording Studios/
Los Angeles-
Abbey Road Studios/
London-
Ocean Way Recording/
Los Angeles-
The Hit Factory/
New York-
The Complex/
Los Angeles-
Studio 55/
Los Angeles
January-August, 1992
Mixed at
Conway Recording Studios/
Los Angeles
Mastered at
Sterling Sound/
New York
by George Marino
Production Coordinator-
Ivy Skoff
Project Coordinator-
Sam Cole
Personal Management-
Sandy Gallin,
Jim Morey,
Sal Bonafede
Art Direction-
David Kirschner
Design-
Jan Weinberg
Cover Photography-
Eugene Adebari
Special Thanks-
Bernie Becker,
Amanda Crain,
John Hurst
and everyone at
Conway Studios,
Cathy Kerr,
Edd Kolakowski,
Ultra Analog,
Fred Walecki and
Westwood Music,
Alison Zanetos,
To Sherrie Levy
and Tom Hensley for
editing my liner notes,
and to Elyn Diamond,
Jesse Diamond,
Micah Diamond,
Marjorie Edelstein
and Marcia Diamond
Here come Ray Conniff and the Singers A-caroling some of
the most beloved songs of Christmas--old, new, familiar,
unusual. In preparing his holiday album, Ray carefully sifted
through the rich treasure of Christmas music, selected some
of the most warmly glowing songs and adapted them for the
unique voices of the Singers. The result is not only a tribute
to Ray's creativity but also a wondrous reminder in song of
the season's exuberance and grandeur. A "surprise package"
is a moving Ray Conniff original, The Real Meaning of
Christmas.
From Ray and the Singers: The Very Best of Season's
Greetings!
Governor Music,
Inc.
(BMI)
~~~~~~~~~~~~~~~~~~~~~~
mx. HCO 72662
Recorded at CBS Recording Studios
in Hollywood, California on
Friday, July 23, 1965
Here come Ray Conniff and the Singers A-caroling some of
the most beloved songs of Christmas--old, new, familiar,
unusual. In preparing his holiday album, Ray carefully sifted
through the rich treasure of Christmas music, selected some
of the most warmly glowing songs and adapted them for the
unique voices of the Singers. The result is not only a tribute
to Ray's creativity but also a wondrous reminder in song of
the season's exuberance and grandeur. A "surprise package"
is a moving Ray Conniff original, The Real Meaning of
Christmas.
From Ray and the Singers: The Very Best of Season's
Greetings!
Governor Music,
Inc.
(BMI)
~~~~~~~~~~~~~~~~~~~~~~
mx. HCO 72657
Recorded at CBS Recording Studios
in Hollywood, California on
Thursday, July 22, 1965
Here come Ray Conniff and the Singers A-caroling some of
the most beloved songs of Christmas--old, new, familiar,
unusual. In preparing his holiday album, Ray carefully sifted
through the rich treasure of Christmas music, selected some
of the most warmly glowing songs and adapted them for the
unique voices of the Singers. The result is not only a tribute
to Ray's creativity but also a wondrous reminder in song of
the season's exuberance and grandeur. A "surprise package"
is a moving Ray Conniff original, The Real Meaning of
Christmas.
From Ray and the Singers: The Very Best of Season's
Greetings!
Governor Music,
Inc.
(BMI)
~~~~~~~~~~~~~~~~~~~~~~
mx. HCO 72657
Recorded at CBS Recording Studios
in Hollywood, California on
Thursday, July 22, 1965
From what I can find, "When A Child Is Born" is included on several later Christmas compilations around the world, but that one is originally from his 1976 album entitled I ONLY HAVE EYES FOR YOU. It was track B5, the final track on the album. Apparently, that selection was only a charting single in the United Kingdom, where it seems to have gone all the way to the top (number one). The song on Side B was track B4 from that album, "Every Time You Touch Me (I Get High)."
Trivia from Wikipedia on the fourth and last studio recording of "The Christmas Song (Merry Christmas To You)" by Nat King Cole..
Fourth recording
Recorded at Capitol Studios, New York City, March 30, 1961. This rendition, the first recorded in stereo,[13] is widely played on radio stations during the Christmas season, and has become the most popular/familiar version of this song.[4] Label credit: Nat King Cole (Nat King Cole, vocals; Hank Jones, pianist; John Collins, guitarist; Charlie Harris, bassist; Lee Young, drummer; Charlie Grean, Pete Rugolo and Ralph Carmichael, orchestral arrangement; Ralph Carmichael, orchestra conductor).[13][15] The instrumental arrangement is nearly identical to the 1953 version,[13] but Cole's vocals are deeper-sounding and more focused. Originally done for The Nat King Cole Story (a 1961 LP devoted to stereo re-recordings of Cole's earlier hits), this recording was later included in a reissue of Cole's 1960 album The Magic of Christmas replacing "God Rest Ye Merry Gentlemen". Retitled The Christmas Song, the album was issued in 1963 as Capitol W-1967(mono) / SW-1967(stereo) and today is available both on compact disc and streaming on iTunes. This recording of "The Christmas Song" has also been included on numerous compilation albums of Christmas pop standards (for example, WCBS-FM's Ultimate Christmas Album Volume 3). An alternate take of the 1961 recording, featuring a different vocal and missing the solo piano on the instrumental bridge, appears on the Deluxe Edition of the 2014 compilation The Extraordinary Nat King Cole.[13] There were several covers of Nat Cole's original record in the 1940s. The first of these was said to be by Dick Haymes on the Decca label, but his was released first – not recorded first. The first cover of "The Christmas Song" was performed by pop tenor and bandleader Eddy Howard on Majestic. Howard was a big Cole fan, and also covered Nat's versions of "I Want to Thank Your Folks" and "(I Love You) For Sentimental Reasons", among others.