Black Adam review: A slick but forgettable superhero romp
The latest DC spectacular is a film conjured by the internet, with Dwayne Johnson linked to the role by eager fans since at least the mid-2000s. The former wrestler’s armour has been slightly dented by the failures of Jungle Cruise and Red Notice last year, can Black Adam put him back on top?
Set in the fictional country of Kahndaq, Johnson plays Teth Adam, a former slave bestowed with superpowers who is imprisoned for 5,000 years when he uses those gifts for vengeance. Awakened in the present day, he has little interest in being the saviour of his home, but protects the mother and son who released him as they are terrorised by a military force. With superhero team The Justice Society looking to imprison him on the orders of Amanda Waller (Viola Davis), Teth Adam must decide if he is the world’s reckoning, or its guardian.
The character is linked to the Shazam films, but clearly intended to reinvigorate the stuttering DC Universe. Disappointingly, there’s little here that distinguishes itself from the many comic book movies already available. There’s more magical items, more mythology to digest quickly, and another vaguely foreign city to save. Director Jaume Collet-Serra plays it safe, delivering a story that has explosions in all the right places, but nothing distinct.
The central moral conflict, where we question whether the Justice Society are actually the good guys, feels reminiscent of Marvel’s Falcon and Winter Soldier, but nowhere near as nuanced. Being content with formula means that the script’s insistence that this is a new kind of hero feels laughable, particularly when the film reportedly cut some R-Rated deaths intended to establish the character’s vindictive streak.
Like Henry Cavill in Man of Steel, Johnson is better than the film that surrounds him. The most electrifying personality in Hollywood is muffled by a deadpan persona in the first half of the movie, only warming up as he bonds with likeable young co-star Bodhi Sabongui. The Justice Society give it their best, with Pierce Brosnan the standout as Dr Fate.
He may get hammy toward the end, but noone can accuse the former 007 of not taking his role seriously. Newbie heroes Atom Smasher and Cyclone (Noah Centineo and Quintessa Swindell) are a sweet duo, while Sarah Shahi is the film’s heart as a resistance fighter who uncovers Adam’s prison. Aldis Hodge’s Hawkman is burdened with a lot of moralising dialogue, but gives the film purpose in between CGI battles.
Black Adam is a standard superhero movie, executed sleekly and designed to bring the most bang for your buck. However, despite the best efforts of Johnson, it may be a film that’s only remembered for its explosive mid-credits reveal.
★★☆☆☆
Dwayne Johnson has been teasing Black Adam for years and it’s finally here, but it turns out to be mostly a dud.
There was a time when superhero films were the exception. They were new, exciting, and at their very best, were playing with genre conventions and doing something unexpected.
Not anymore.
Now, we get several superhero films a year, not to mention countless TV shows on various streaming platforms. They’ve become the rule, not the exception, which almost automatically makes them less exciting. At the end of the day, most of them follow the same old formula of a hero’s journey; they struggle with their powers and encounter a powerful enemy that nearly defeats them until ultimately tapping into something more profound to save the day. Ta-dah!
Jaume Collet-Serra’s Black Adam, on the surface, tries to offer something different. It’s been a passion project for its star, Dwayne Johnson, who promised that the anti-hero’s arrival would ‘change the hierarchy of DC’. Unfortunately, Black Adam succumbs to the genre’s worst tropes and isn’t aided by the baffling, near-incompetent editing.
The story takes place in the fictional land of Kahndaq. After a brief prologue that explains how Teth Adam (he’s not called Black Adam yet, but patience, dear reader) was born, the action moves to modern days. Adrianna (Sarah Shahi) is looking for a mystical crown that once divided the people and is incredibly dangerous if it falls into the wrong hands.
Adrianna manages to awaken Teth Adam from his slumber, but boy, is he pissed. Teth Adam has no problem killing anyone and everyone in his way, which sends the Justice Society – Hawkman, Doctor Fate, Atom Smasher and Cyclone – to Kahndaq, where they clash with Teth Adam. Obviously.
First things first, there is a lot to like in Black Adam. Dwayne Johnson is impossibly likeable and has a magnetic screen presence. Pierce Brosnan as Doctor Fate and Aldis Hodge as Hawkman are also compelling, especially Brosnan, who brings a sense of esteemed and renowned dignity into the film.
But Black Adam feels incomplete; it’s rushed, narratively messy and badly edited. Director Jaume Collet-Serra struggles to find the right balance of tone and story beats to focus on and Black Adam often feels like one continuous action sequence and that’s not a compliment. The action, too reliant on CGI, tries to imply violence without fully committing to it.
Black Adam has been posed as a more violent, darker entry into the post-Zack Snyder DCEU, but if anything, this feels like a return to Snyder’s style of filmmaking. There’s his signature religious imagery, a lot of the action is played in slow-motion, and the greyish colour palette, meant to evoke angst and seriousness, comes across as dull. Visually, Black Adam might be one of the ugliest films of 2022.
What makes it even more frustrating is the infinite amount of potential the film has. Black Adam’s best scene is when Adrianna tells the Justice Society off for storming into her homeland and kicking up a fuss now that Teth Adam is causing havoc, but they haven’t done anything in the past 27 years that the country has been in conflict.
It would have been a meaty angle to write your film from, but it’s quickly abandoned. Collet-Serra, an outstanding director when working with the right material, struggles to let his style bleed through, but there are some strong individual moments here. More than anything, Black Adam seems to just set up the future of the DCEU, but I must say, it doesn’t look very good.