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Classical CD Album

Artist: Aafje Heynis Title: Portret Van Aafje Heynis Format: CD Album Label:   Philips Country: Netherlands Date: 1997 Catalogue: 462 084-2 Barcode: 028946208427 Collection:   I Own It     I Want It  Community:  1 Owns Price Guide: Valuation Page » Search eBay #AD  » Search Amazon #AD This site contains affiliate links for which we may be compensated.

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Performers
Composer	Christian Ritter, George Frideric Handel, Johann Sebastian Bach, Johannes Brahms
Orchestra / Ensemble	Amsterdams Kamerorkest, Concertgebouw Orchestra Amsterdam, Nederlands Kamerorkest, Vienna Symphony Orchestra
Conductor	Anthon van der Horst, Eduard van Beinum, Hans Gillesberger, Marinus Voorberg
Soloist	Aafje Heynis, Albert de Klerk, Felix de Nobel, Pierre Palla

Track	Artist	Title	Composer	Rating
01	Aafje Heynis	Arioso 'Dank Sei Dir, Herr'	Georg Friedrich Handel	Rate
02	Aafje Heynis	Bist Du bei mir, BWV 508	Johann Sebastian Bach	Rate
03	Aafje Heynis	Was mein Hertz von Dir begehrt	Johann Sebastian Bach	Rate
04	Aafje Heynis	Father Of Heaven (Uit: Judas Maccabaeus)	Georg Friedrich Handel	Rate
05	Aafje Heynis	Return O God Of Hosts (Uit: Samson)	Georg Friedrich Handel	Rate
06	Aafje Heynis	Virgam Virtutis Tuae (Uit: Dixit Dominus)	Georg Friedrich Handel	Rate
07	Aafje Heynis	O Amantissime Sponse Jesu (Solocantate)	Christian Ritter	Rate
08	Aafje Heynis	Altrapsodie, Op. 53	Johannes Brahms	Rate
British Folk Songs
09	Aafje Heynis	Can You Sew Cushions		Rate
10	Aafje Heynis	Oh Dear What Can The Matter Be		Rate
11	Aafje Heynis	Drink To Me Only		Rate
12	Aafje Heynis	Londonderry Air		Rate
13	Aafje Heynis	Go To Sleep		Rate

Notes

Dutch Masters Volume 13
Pierre Palla, orgel (1, 2 (1956)); Wiener Symphoniker o.l.v. Hans Gillesberger (3, 4, 5 (1960(); Amsterdams Kamerorkest o.l.v. Marinus Voorberg (6 (1969)); Albert de Klerk, orgel, Nederlands Kamerorkest o.l.v. Anthon Van der Horst (7 (1959)); Koninklijk Concertgebouworkest o.l.v. Eduard van Beinum (8 (1958)); Felix de Nobel, piano (9-13 (1960))
(7) recorded live at the Gouda, Holland Festival

Images

Number: 2747529  THUMBNAIL Uploaded By: Gill Sans SUBS Description: Front	Number: 3476542  Uploaded By: Gill Sans SUBS Description: Rear	Number: 3476543  Uploaded By: Gill Sans SUBS Description: Disc	Number: 3476544  Uploaded By: Gill Sans SUBS Description: Booklet Frontispiece
Number: 3476545  Uploaded By: Gill Sans SUBS Description: Booklet p1	Number: 3476546  Uploaded By: Gill Sans SUBS Description: Booklet p2	Number: 3476547  Uploaded By: Gill Sans SUBS Description: Booklet p3	Number: 3476548  Uploaded By: Gill Sans SUBS Description: Booklet p4

Comments and Reviews

Gill Sans SUBS 12th Sep 2021		Aafje Heynis had sung in local choirs since childhood but it was in the immediate aftermath of the 2nd World War that she was propelled into national fame: The day after the liberation of the Netherlands she was invited to sing at an impromptu piano recital given in the street in Wormerveer as part of the town's celebrations. She had recently learnt Handel's 'Dank Sei Dir, Herr' with a Nazi-edited text which she sang without realising but this was overlooked by the crowd who were astonished to find such talent in their community. The aria, sometimes ascribed also to Siegfried Ochs, was to become one of the favourites of her repertoire. O amantissime sponse Jesu was written in 1704 by the barely-remembered Christian Ritter who had been one of the leading composers of the North German organ school. This score had been rediscovered in Berlin, and here was performed in the 1959 Holland Festival. Heynis came to the notice of British listeners in the 60s when she recorded several British folk songs, as a result of which she was compared to Kathleen Ferrier, but Heynis' light voice is much more akin to Janet Baker's mezzo-soprano.

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