Classical CD Album Performers Composer Böhm , Carl Philipp Emanuel Bach , Christian Pezold , François Couperin , G.H. Stötzel , Giovannini , Gottfried Heinrich Bach , J.A. Hasse , Johann Sebastian Bach Soloist Benjamin Luxon , Catharina Meints , Igor Kipnis , Judith Blegen
1-01 Igor Kipnis #5 Suite Pour Le Clavessin In G, BWV 816 Johann Sebastian Bach Rate 1-02 Igor Kipnis #8 Chorale prelude, "Jesu, meine Zuversicht", BWV 728 Johann Sebastian Bach Rate 1-03 Igor Kipnis #11 Minuet In G, BWV 841 Rate 1-04 Igor Kipnis #3 Minuet In F, BWV Anh. 113 Rate 1-05 Igor Kipnis #4, 5 Minuets In G And G, BWV 114, 115 Christian Pezold Rate 1-06 Igor Kipnis #6 Rondeau In B Flat, BWV Anh. 183 François Couperin Rate 1-07 Igor Kipnis #7 Minuet In G, BWV Anh. 116 Rate 1-08 Igor Kipnis #8 A-b Polonaise In F, BWV Anh. 117a,b Rate 1-09 Igor Kipnis #9 Minuet In B Flat, BWV Anh. 118 Rate 1-10 Igor Kipnis #10 Polonaise In G, BWV Anh 119 Rate 1-11 Igor Kipnis #11 Chorale, "Wer nur den lieben Gott lasst walten", BWV 691 Johann Sebastian Bach Rate 1-12 Igor Kipnis #12 Chorale setting, "Gib dich zufrieden und sie stille" in F, BWV 510 Rate 1-13 Benjamin Luxon, Igor Kipnis, Catharina Meints #13b Chorale "Gib dich zufrieden und sie stille" in e, BWV 512 Johann Sebastian Bach Rate 1-14 Igor Kipnis #14 Minuet In A, BWV Anh. 120 Rate 1-15 Igor Kipnis #15 Minuet In C, BWV Anh. 121 Rate 1-16 Igor Kipnis #16 March in D, BWV Anh. 122 Carl Philipp Emanuel Bach Rate 1-17 Igor Kipnis #17 Polonaise In G, BWV Anh. 123 Carl Philipp Emanuel Bach Rate 1-18 Igor Kipnis #18 March In G, BWV Anh. 124 Carl Philipp Emanuel Bach Rate 1-19 Igor Kipnis Sonata Per Il Cembalo Solo In G- Allemande - #19 Polonaise In G BWV Anh 125 - Minuet Carl Philipp Emanuel Bach Rate 2-01 Benjamin Luxon, Igor Kipnis, Catharina Meints #20b Aria, "Erbauliche Gedanken eines Tobackrauchers", in g, BWV 515a Gottfried Heinrich Bach?, Johann Sebastian Bach? Rate 2-02 Igor Kipnis #21 Minuet Fait Par Mons, Bohm In G Böhm Rate 2-03 Igor Kipnis #22 Musette in D, BWV Anh. 126 Rate 2-04 Igor Kipnis #23 March In E Flat, BWV Anh. 127 Rate 2-05 Igor Kipnis #24 (Polonaise) In D, BWV Anh. 128 Rate 2-06 Judith Blegen, Igor Kipnis #25 Aria, "Bist du bei mir", BWV 508 G.H. Stötzel? Rate 2-07 Igor Kipnis #26 Aria (Sarabande), BWV 988-1 Johann Sebastian Bach Rate 2-08 Igor Kipnis #27 Solo Per Il Cembalo. Sonata In Eb, BWV Anh. 129 Carl Philipp Emanuel Bach Rate 2-09 Igor Kipnis #28 Polonaise In G, BWV Anh. 130 J.A. Hasse Rate 2-10 Igor Kipnis #36 Minuet in d, BWV Anh. 132 Rate 2-11 Igor Kipnis #29 Praeludium In C, BWV 846-1 Johann Sebastian Bach Rate 2-12 Igor Kipnis #32 (Rigaudon) In F, BWV Anh. 131 Johann Sebastian Bach Rate 2-13 Benjamin Luxon, Igor Kipnis, Catharina Meints #33 Aria, "Warum Betrubst Du Dich", BWV 516 Rate 2-14 Judith Blegen, Igor Kipnis, Catharina Meints #34 Recitative, Aria, BWV 82-2,3 Johann Sebastian Bach Rate 2-15 Benjamin Luxon, Igor Kipnis, Catharina Meints #35 Chorale, "Schaffs mit mir, Gott", BWV 514 Rate 2-16 Judith Blegen, Igor Kipnis, Catharina Meints #37 Aria di Giovannini, "Willst du dein Herz mir schenken", BWV 518 "Giovannini" Rate 2-17 Judith Blegen, Benjamin Luxon, Igor Kipnis, Catharina Meints #39b Chorale, "Dir, Dir, Jehovah, Will Ich Singen", BWV 299 Johann Sebastian Bach Rate 2-18 Benjamin Luxon, Igor Kipnis, Catharina Meints #40 Chorale, "Wie wohl ist mir, o Freund der Sellen", BWV 517 Rate 2-19 Judith Blegen, Igor Kipnis, Catharina Meints #41 Aria, "Gedenke doch, mein Geist, zurucke", BWV 509 Rate 2-20 Benjamin Luxon, Igor Kipnis, Catharina Meints #42 Choral, "O Ewigkeit, Du Donnerwort", BWV 513 Johann Sebastian Bach Rate
Notes Igor Kipnis, harpsichord, clavichord
Judith Blegen, soprano
Benjamin Luxon, baritone
Catharina Meints, viola da gamba
Producer: Eric Salzman
Recorded September and October, 1980 at Columbia 30th St. Studio, New York
Liner notes: Robert L. Marshall
Original release was a 2-disc LP, Nonesuch DB-79020
Reviews for CD release:
Digital Audio 1984
Stereo Review 1984
Images Comments and Reviews LaurenceD SUBS17th Jul 2018 I have reproduced the track titles as shown in the insert/booklet, i.e. each track preceded by its page number in the Anna Magdalena notebook. I have also included composer names, some definite, some speculative (?).
I do enjoy the presentation and performances, the only drawback being that the original notes from the LP release were reproduced as-is, reduced in size for the CD insert. As a result a magnifying glass is required to read them.
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