First Song Set |
01 | George Hulbert And Christopher Cotton | What Shall I Say?, Opus 2 No.4 | Edvard Grieg | Rate |
02 | George Hulbert And Christopher Cotton | Hunter's Song, Opus 4 No.4 | Edvard Grieg | Rate |
03 | George Hulbert And Christopher Cotton | The Old Story, Opus 4 No.5 | Edvard Grieg | Rate |
04 | George Hulbert And Christopher Cotton | Two Brown Eyes, Opus 5 No.1 | Edvard Grieg | Rate |
05 | George Hulbert And Christopher Cotton | Yeg Elsker Dig (I Love You), Opus 5 No.3 | Edvard Grieg | Rate |
Norwegian Songs And Dances (For Piano) |
06 | George Hulbert And Christopher Cotton | I - Spring Dance | Edvard Grieg | Rate |
07 | George Hulbert And Christopher Cotton | II - The Young Man Asked His Maiden | Edvard Grieg | Rate |
08 | George Hulbert And Christopher Cotton | III - Spring Dance | Edvard Grieg | Rate |
09 | George Hulbert And Christopher Cotton | IV - Niels Tallefjoren | Edvard Grieg | Rate |
10 | George Hulbert And Christopher Cotton | V - Dance From Joelster | Edvard Grieg | Rate |
11 | George Hulbert And Christopher Cotton | VI - Wedding Tune | Edvard Grieg | Rate |
12 | George Hulbert And Christopher Cotton | VII - Halling (Traditional Dance) | Edvard Grieg | Rate |
13 | George Hulbert And Christopher Cotton | VIII - The Pig Had A Snout | Edvard Grieg | Rate |
14 | George Hulbert And Christopher Cotton | IX - When My Eyes (Religious Song) | Edvard Grieg | Rate |
15 | George Hulbert And Christopher Cotton | X - Once In Anger (Wooer's Song) | Edvard Grieg | Rate |
16 | George Hulbert And Christopher Cotton | XI - Heroic Ballad | Edvard Grieg | Rate |
17 | George Hulbert And Christopher Cotton | XII - Solfager And The Snake King | Edvard Grieg | Rate |
18 | George Hulbert And Christopher Cotton | XIII - Travel Song | Edvard Grieg | Rate |
19 | George Hulbert And Christopher Cotton | XIV - I Sing With A Sorrowful Heart | Edvard Grieg | Rate |
20 | George Hulbert And Christopher Cotton | XV - Last Saturday Evening | Edvard Grieg | Rate |
21 | George Hulbert And Christopher Cotton | XVI - I Know A Little Maiden | Edvard Grieg | Rate |
22 | George Hulbert And Christopher Cotton | XVII - The Gadfly Said To The Fly | Edvard Grieg | Rate |
23 | George Hulbert And Christopher Cotton | XVIII - Stumping Dance | Edvard Grieg | Rate |
24 | George Hulbert And Christopher Cotton | XIX - Holje Dale | Edvard Grieg | Rate |
25 | George Hulbert And Christopher Cotton | XX - Halling | Edvard Grieg | Rate |
26 | George Hulbert And Christopher Cotton | XXI - The Woman From Setesdal | Edvard Grieg | Rate |
27 | George Hulbert And Christopher Cotton | XXII - Cow- Calling Song | Edvard Grieg | Rate |
28 | George Hulbert And Christopher Cotton | XXIII - Have You By Chance Seen My Wife? | Edvard Grieg | Rate |
29 | George Hulbert And Christopher Cotton | XXIV - Bridal Song | Edvard Grieg | Rate |
30 | George Hulbert And Christopher Cotton | XXV - The Raven's Wedding | Edvard Grieg | Rate |
Second song set |
31 | George Hulbert And Christopher Cotton | My Flower Of Snow, Opus 18 No.2 | Edvard Grieg | Rate |
32 | George Hulbert And Christopher Cotton | A Swan, Opus 25 No.2 | Edvard Grieg | Rate |
33 | George Hulbert And Christopher Cotton | The First Primrose, Opus 26 No.4 | Edvard Grieg | Rate |
34 | George Hulbert And Christopher Cotton | The Time Of Roses, Opus 48 No.5 | Edvard Grieg | Rate |
35 | George Hulbert And Christopher Cotton | A Dream, Opus 48 No.6 | Edvard Grieg | Rate |
Holberg Suite (piano) |
36 | George Hulbert And Christopher Cotton | I - Praeludium | Edvard Grieg | Rate |
37 | George Hulbert And Christopher Cotton | II - Sarabande | Edvard Grieg | Rate |
38 | George Hulbert And Christopher Cotton | III - Gavotte | Edvard Grieg | Rate |
39 | George Hulbert And Christopher Cotton | IV - Air | Edvard Grieg | Rate |
40 | George Hulbert And Christopher Cotton | V - Rigaudon | Edvard Grieg | Rate |
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41 | George Hulbert And Christopher Cotton | Wedding Day At Troldhaugen | Edvard Grieg | Rate |
Songs recorded 22nd March 2014, piano pieces recorded 24th November 2012, at St. Paul's Church, Stalybridge. Recorded by Paul R. White
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Gill Sans SUBS 10th Oct 2023
| | ReviewThese piano miniatures are based on L.M. Lindeman's "Aeldre og nyere norske fjeldmelodier" (Old and New Norwegian Country Melodies).
1. "Spring Dance" is a spirited, lilting melody in 3/4 with a skip on the last beat played over changing accompaniments: (1) a rhythmic drone, (2) contrasting accents (beats 1 and 3 in the first measure, 2 in the second), (3) chromatic descents, and (4) strong, thrilling bass chords for the last verse.
2. "The Young Man Asked His Maiden" states a question in a rhythmic minor which receives a sweet major-key reply interspersed with two more short, hesitant questions.
3. This "Spring Dance" has quite a different feeling from number 1. The spinning, cycling melody proceeds from quiet, sometimes sharp harmonies toward a wilder and abandoned double-speed coda.
5. The "Dance from Jølster" contains many coloristic effects, such as crystalline staccatos, offbeat accents, high treble woodwind-like parts, fast triplets over enthusiastic string-like open fifths, as well as extended endings, surprising sudden halts in the rhythm, and switches from duple to triple meter.
6. The "Wedding Tune" is a sweet, lyrical Allegretto pastorale which begins in C major and ends in A minor mixing happy and romantic (or, perhaps slight uncertainty about the future) emotions.
8. "Oh, the Pig Had a Snout" is a brief tune, in a combined comical and "cantabile" mood in G minor in triple meter.
9. "When My Eyes" is a touching spiritual song harmonized with beautiful modal harmonies.
10. "Ole Once in Anger" is a courting song with a jerky, drinking song rhythm to its wide-ranging minor-key melody that concludes in a deep, perhaps apologetic, baritone register.
12. "Solfager and the Snake King," played in a moody Andante tempo, has a haunting minor-key melody with "snaky" chromatics that tells a tale even without words.
14. "I Sing With a Sorrowful Heart" is introduced by a distant minor third echoed three times in the high treble. The warm, middle register melody then begins with that same interval harmonized in rich but almost funeral chords played at a piano dynamic. The coda suddenly sings forth in a compelling cry that quickly calms into a resigned minor cadence.
17. In "The Gadfly Said to the Fly," the first timid, thin-voiced (even insectile) statement is met with a full-voiced loud answer harmonized chromatically. The first voice inquires again twice, and the answers are more measured and simple.
21. The melody of "The Woman from Setesdal" is built on a simple two-measure rolling gesture that is treated as a very interesting imitative canon, the imitating voice sounding like a flute or birdsong in the higher registers.
23. "Did You See Anything of My Wife?" is a curious two-part song with a dotted, questioning, backbeat rhythm at the start, followed by quiet reply in longer tones and then a loud, aggressive version of that reply.
(from allmusic.com)
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