Classical Item - Frederick Moyer - Edward MacDowell, Clara Schumann - JRI

Classical CD Album

Artist:	Frederick Moyer
Title:	Edward MacDowell, Clara Schumann
Format:	CD Album
Label:	JRI
Country:	USA
Date:	2007
Catalogue:	J122
Barcode:	714826012221
Collection:	I Own It I Want It
Community:	1 Owns
Price Guide:	Valuation Page
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Performers
Composer	Clara Schumann, Edward MacDowell
Orchestra / Ensemble	The Plovdiv Philharmonic Orchestra
Conductor	Dan Kury, Nayden Todorov
Soloist	Frederick Moyer, William Rounds

Track

Artist

Title

Composer

Rating

Piano Concerto No. 2 In D Minor, Op. 23

Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden Todorov

Larghetto Calmato

Edward MacDowell

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Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden Todorov

Presto Giocoso

Edward MacDowell

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Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden Todorov

Largo: Molto Allegro

Edward MacDowell

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Piano Concerto In A Minor, Op. 7

Frederick Moyer, Dan Kury

Allegro Maestoso

Clara Schumann

Rate

Frederick Moyer, William Rounds

Romanze: Andante Non Troppo Con Grazia

Clara Schumann

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Frederick Moyer, Dan Kury

Finale: Allegro Non Troppo

Clara Schumann

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Notes

Recorded July 7-10, 2005 at Roseholm Studios, Mt. Kisco, NY
Notes: Jay Rosenblatt, Frederick Moyer
Solo cello on the Schumann Romanze movement: William Rounds

Images

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Comments and Reviews


LaurenceD SUBS 3rd Aug 2022		This was an interesting experiment in recording two piano concertos without the participation of a live orchestra. For the MacDowell recording, the orchestra is provided by a Music Minus One recording (used with permission). For the Clara Schumann recording, the orchestral backing is created from sampled sounds (except for the second movement, in which the accompaniment is provided by a solo cello, performed live). Frederick Moyer includes some interesting comments about the process of using the sampling for the Schumann work, including what he considers the pros and cons of recording pieces using this method. I think that the results, at least for the Schumann, are quite impressive. The technology in 2007 had improved considerably since the time when I had dabbled in scoring some chamber works using MIDI tools back in the 1990s.

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