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Classical Music



Classical CD Album

Artist:Frederick Moyer
Title:Edward MacDowell, Clara Schumann
Format:CD Album
Label:  JRI
Country:USA
Date:2007
Catalogue:J122
Barcode:714826012221
Collection:  I Own It     I Want It 
Community: 1 Owns
Price Guide:Valuation Page
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Performers
ComposerClara Schumann, Edward MacDowell
Orchestra / EnsembleThe Plovdiv Philharmonic Orchestra
ConductorDan Kury, Nayden Todorov
SoloistFrederick Moyer, William Rounds


TrackArtistTitleComposerRating
Piano Concerto No. 2 In D Minor, Op. 23
01Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden Todorov Larghetto CalmatoEdward MacDowellRate
02Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden TodorovPresto GiocosoEdward MacDowellRate
03Frederick Moyer, The Plovdiv Philharmonic Orchestra, Nayden TodorovLargo: Molto AllegroEdward MacDowellRate
Piano Concerto In A Minor, Op. 7
04Frederick Moyer, Dan Kury Allegro MaestosoClara SchumannRate
05Frederick Moyer, William RoundsRomanze: Andante Non Troppo Con GraziaClara SchumannRate
06Frederick Moyer, Dan KuryFinale: Allegro Non TroppoClara SchumannRate


Notes

Recorded July 7-10, 2005 at Roseholm Studios, Mt. Kisco, NY
Notes: Jay Rosenblatt, Frederick Moyer
Solo cello on the Schumann Romanze movement: William Rounds

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Comments and Reviews
 
LaurenceD SUBS
3rd Aug 2022
 This was an interesting experiment in recording two piano concertos without the participation of a live orchestra. For the MacDowell recording, the orchestra is provided by a Music Minus One recording (used with permission). For the Clara Schumann recording, the orchestral backing is created from sampled sounds (except for the second movement, in which the accompaniment is provided by a solo cello, performed live).
Frederick Moyer includes some interesting comments about the process of using the sampling for the Schumann work, including what he considers the pros and cons of recording pieces using this method.
I think that the results, at least for the Schumann, are quite impressive. The technology in 2007 had improved considerably since the time when I had dabbled in scoring some chamber works using MIDI tools back in the 1990s.
 


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