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Classical Music



Classical CD Album

Artist:Latvian Radio Choir, Sigvards Kļava
Title:Plainscapes
Format:CD Album
Label:  Ondine
Country:Finland
Date:2012
Catalogue:ODE 1194-2
Barcode:0761195119426
Collection:  I Own It     I Want It 
Community: 1 Owns
Price Guide:Valuation Page
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Performers
ComposerPēteris Vasks
Orchestra / EnsembleLatvian Radio Choir
ConductorSigvards Kļava
SoloistGuna Āboltiņa, Jānis Kokins, Sandis Šteinbergs


TrackArtistTitleComposerRating
01Latvian Radio Choir, Sigvards KļavaZiles Zina (The Message Of The Titmouse)Pēteris VasksRate
Klusas Dziemas (Silent Songs)
02Latvian Radio Choir, Sigvards Kļava 1. Nosapi ParsapiPēteris VasksRate
03Latvian Radio Choir, Sigvards Kļava2. Dusi DusiPēteris VasksRate
04Latvian Radio Choir, Sigvards Kļava3. Tris MeziPēteris VasksRate
05Latvian Radio Choir, Sigvards Kļava4. Paldies Tev Vela SaulePēteris VasksRate
06Latvian Radio Choir, Sigvards Kļava Musu Masu Vardi (Our Mother's Names)Pēteris VasksRate
07Latvian Radio Choir, Sigvards KļavaSkumja Mate (Sad Mother)Pēteris VasksRate
08Latvian Radio Choir, Sigvards KļavaVasara (Summer)Pēteris VasksRate
09Latvian Radio Choir, Sigvards KļavaLidzenuma Ainavas (Plainscapes)Pēteris VasksRate
10Latvian Radio Choir, Sigvards KļavaMazi Silti Svetki (Small, Warm Holiday)Pēteris VasksRate
11Latvian Radio Choir, Sigvards KļavaPiedzimsana (Birth)Pēteris VasksRate


Notes

Recorded in St John's Church, Riga in May 2011
Producer Andris Ūze

Images



Comments and Reviews
 
Gill Sans SUBS
6th Sep 2020
 Review
The first piece, The Message Of The Titmouse, starts in the manner of the whole album, with the choir building up complex vocalese chords with multiple glissandi, acapella, but breaks out into a text sung at full volume. The title piece is more typical, still the acapella vocalese, but introduced by a solo violin which also glissondoes before skittering about in all directions, followed by the solo soprano. The violin and cello then introduce a typical theme, "The" Vasks theme, upon which the choir part builds. A couple of 'false endings' has the choir start again quietly before building to a climax. The soprano can be heard very faintly in the background, going where no woman has gone before. The coda has a subito p. fading al niente. I find this all very beautiful.



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