ReviewContinuing my further adventures in Classical music, I was pleased to find this one when out on the dig.
It's a real joy to listen to this one, as it's packed with popular classics, of the prom variety, which will appeal to more casual Classical listeners who perhaps like the BBC proms, but aren't into the more demanding stuff (like myself!), or are looking for an easy way into the world of classical music.
Tunes you can recognise, even if you aren't particularly aware of the names of the composers or the works themselves (tunes you can hum too!).
A very bouncy, vigorous "romp", that certainly had me bopping around the room.
A note on the vinyl:
This is another of the "big" labels of classical music... the Powder-Blue/turquoise Columbia label, which signifies the early stereo pressings for this label, and along with the Decca "wide Band" labels (SXL catalogue number prefix), and the HMV White and Gold rimmed "Nipper" labels (ASD prefix - (As with a handful of Columbias also having the ASD prefix, instead of SAX)) represent the very best, and most sought after classical pressings.
(Some of the titles on these labels fetch truly mind melting prices at auction - couple of thousand in a few cases ((this particular title is perhaps one of the cheapest, but can still get upwards of fifty quid in mint))).
...And it's easy to see (and hear!) why... the vinyl of these; Of which I now have an example of each; is incredible.
They can reach places other vinyl cannot touch... deeper, wider, and higher in frequency and range, and deliver unparalleled detail, power, breadth.
Although only an observation of my own, I can discern that this is not because of any special quality in terms of thickness of vinyl, or weight... but the fineness of the vinyl substance itself (a finer grain maybe, or a purity of the plastic). And also the absolute precision of the press or cut... the grooves are razor sharp, and incredibly finely pressed.
This is best seen when you gently roll the vinyl around under a light source, as this fineness of detail in the pressing causes a kind of "oil-slick- rainbow" effect to be visible on the disc... that is: the grooves are so precise, I suppose you'd say they split the reflection of the white light into it's constituent colours of the spectrum (A greater degree of refraction (?)).