It was essentially a second print of the first edition from 1987, which has a blue cover. The first edition carried a discography of all British dance bands from 1911 to 1945, and was uploaded a while ago. However, two years later, the second print of the book added a “supplement”, which was an appendix listing corrections and omissions from the original. I’ve scanned that and it too is now available to download. Phonotone Classic
Both files are searchable PDFs and will be useful for adding records to this site.
A few quibbles:
1. It was too difficult for the authors to integrate the supplement data with the original book, so does everything have to be double checked with the new index? It seems so if you want to be sure of anything.
2. They exclude bands which do not strictly fit their criteria, such as the accordion bands of Primo Scala and Billy Reid. I would think of these as dance bands and they featured the same vocalists.
3. The book ends at 1945 because this is apparently when the dance band era was over. Yet they were still regularly performing and recording for a good few years. I would have ended the book later. Ted Heath and Billy Cotton continued the tradition although in a different way.
Nonetheless it’s a great work and really useful. I just wish someone would update it.
Does the first book draw on Rust or do they have access to additional resources - I always thought Brian was pretty close to completist of the genre. I have a few of the LBC/Capital Radio Broadcasts I taped to cassette - wish I had done many more.
It is interesting as to why Dance Band era - on disc at least - finished in 1945(ish). Was it the coming of the 45, the rise of Entertainment on the Radio - and Then TV, so that people went out less. Ted Heath somewhat ended up paying his band members from his own pocket by the 1960s as the venue revenues did not cover costs. Although the 'Group Combo' for want of a better term probably started to rise from the mid 1950s, the ballroom dance bands locally probably carried on, but were they semi-professional where they would have a day job as the evenings didn't pay (enough). Yet the BBC kept space within its Comedy, say, schedules for slots for the dance band type leaders etc. I suppose there was a move to Jazz orientation and fandom ( modern and trad ) that was less universal, and the WW2 death of some of the key singers and band members must have contributed to changes.
Does the first book draw on Rust or do they have access to additional resources - I always thought Brian was pretty close to completist of the genre. I have a few of the LBC/Capital Radio Broadcasts I taped to cassette - wish I had done many more.
Rust is co-author of all the books mentioned here.
Also needs some cross referencing (no disrespect to the authors who worked from the recording company information), to The Gramophone magazine reviews as some ot the marginal none british/ non dance might be found in that publication
Also needs some cross referencing (no disrespect to the authors who worked from the recording company information), to The Gramophone magazine reviews as some ot the marginal none british/ non dance might be found in that publication