Despite the L.P. title, several of these tracks were originally released in either 1962 or 1963, to wit:
A4: Martha and the Vandellas - Quicksand (1963)
A7: Barbara Lewis - Puppy Love (1963)
A10: The Rivieras - California Sun (1963)
B1: The Miracles - You've Really Got A Hold On Me (1962!)
B10: The Raindrops - What A Guy (1963)
The original 45 r.p.m. releases (U.S.A. pressings unless otherwise marked) are as follows:
A1: Atlantic 45-2237
A2: Tamla T-54093
A3: Smash S-1893
A4: Gordy G-7025
A5: Herald H-590
A6: Vee Jay VJ 598
A7: Atlantic 45-2214
A8: Golden World GW8/GW9
A9: Motown M-1056
A10: Riviera R-1401
Hmmm...
This was released on Roulette Records. Morris Levy felt each record was a "winner" in 1964. Are you contending with something M. Levy states?!
Would you like a new pair of concrete shoes?
ReviewI wrote a drear review of the ellpee in 1982 and reproduce it herein:
ALBUM COMMENTS
Even though the title is "20 Original Winners of 1964,"at least two are not from 1964. Tracks 11 and 20 are from 1963 and tracks 2, 4, 6, 7, 13, 17, and 19 I have not been able to verify as from any year, though all could be easily 1964 records.
I would rate this LP 9.5 out of 10, it's one of my favourite albums. It features many Motown cuts, Motown-influenced stuff and generally good rocking pop rhythm and blues. My personal favourite is "California Sun" from the transplanted (from Indiana) Michigan group, the Rivieras. This is a definite proto-punk classic which should have been on Nuggets. In fact, it may be more than proto-punk, for the 70's punk legends, The Ramones even in 1977 cut this one. Also, in 1975 the seminal group from the Bronx, The Dictators went on to do the best version of this song that I have ever heard.
The Reflections semi-hit "(Just Like) Romeo & Juliet" is also a proto-punk number, which was done by the 60's punk group Michael and the Messengers. The Messengers version did actually make it to Nuggets.
I think this LP, once again, throws out the window the theory that rock was dead between 1958 and 1964. Though it is common knowledge that rock was very strong regionally from 1958 to 1964 (especially in Tacoma-Seattle), this LP also demonstrates that plenty of exciting rock music was also happening on the national level.
In sum, a great compilation album is the result of Roulette's effort. One drawback (a common one among collections) is that the ellpee is shoddily packaged, though listing of original labels is nice.