@ Juke Jules The notes also say "Restoration engineer, preliminary mastering - Dan Matovina." and "Cover design by Tom Brennan, original concept by Dan Matovina.".
The author advised me today, Tuesday 21 May 2024, that the book is being revised, and that the title has changed from Isn't It A Pity to Blackbird. No news yet on publication date.
Celebrate The Beatles with rare photographs and a never-before-seen collection of removable, collectible memorabilia.
At one time the most famous pop band in the world, The Beatles still hold center stage. Anyone who lived through the 1960s remembers them, and the digital remastering of their output has ensured that younger generations know them too. How could they not? The songs will live forever and are regularly used in film or TV scores, on advertisements, and on radio channels everywhere.
With such coverage and interest, how can there be anything new to say about the band? The Beatles manages to do so thanks to the remarkable collection of photographs housed in Mirropix, the library of the Daily Mirror, Britain’s premier popular daily. With so much interest in the band, photographers were always looking to cover not just the major events that all the media attended, but smaller, more intimate moments. And then, of course, there were the paparazzi: The Beatles were perfect targets for this new breed of photographer who didn’t ask for permission to take their photos and followed George, Paul, John, and Ringo wherever they went.
The book begins with an overview, starting with Brian Epstein’s birth in 1934 to The Beatles signing with him in 1961, in between covering their time in Liverpool, their start as the Quarrymen, their gigs in Hamburg, and the dawn of what would become their iconic hairstyles. Each ensuing chapter contains unique timelines that highlight notable daily activities each year, from concert dates, to personal matters (Paul marries Linda March 12, 1969), to epic events that solidify the group's fame forever (Apple Records launches August 11, 1968). The book finishes with a chapter on the band’s breakup and their lives, post-Beatles.
Included are 15 removable reproductions of collectible memorabilia, including:
- Concert posters and flyers for the group’s performances, including at the Odeon (with Roy Orbison in 1963) and their record-breaking Shea Stadium appearance (1965)
- 1963 program cover for a Royal performance in the presence of the Queen Mother at the Prince of Wales Theatre
- 1963 signed souvenir card from their Scottish tour of Glasgow, Kirkcaldy, and Dundee
- Cover from a pictorial commemorating their 1964 performances at Carnegie Hall
- 1965 Christmas card signed by the Fab Four
- 1966 advertisement for the band’s US single release, “Yellow Submarine/Eleanor Rigby”
- Cartoon and caricature cards
Mirropix has a sensational collection of material that was taken to feed an insatiable desire to see the band, their families, hangers on, and what they all did. Record launches, publicity events, holidays, flights in and out of the country, TV broadcasts, film work, births, deaths, and marriages: every event was photographed. With this sort of coverage, unsurprisingly, much material was not published, and it is this treasure trove that is showcased in this rare and exciting collection. Collectors of all stripes will cherish the removable reproductions of memorabilia.
A personal and revealing look at the last ten years of John Lennon’s life and his partnership with Yoko Ono, written by the friend who knew them best, publicist and music industry insider Elliot Mintz.
Elliot Mintz spent his life working with some of the biggest names in show business, but perhaps the most important and influential partnership he had was his work and close friendship with John Lennon and Yoko Ono. In his memoir, We All Shine On, Mintz finally tells the story of their relationship, which has spanned more than fifty years and continues to this day.
Through beautifully written chapters that are personal, revealing, and full of intriguing details, Mintz transports readers from his first interview with Yoko in 1971, through the years that he supported the couple both personally and professionally through creative highs, relationship and private challenges, fascinating interactions with the other former Beatles, and the happiest moments of their lives together, Sean Lennon’s birth and childhood. And, of course, Elliot was by Yoko’s side in the days, weeks, and months after John’s murder, when Elliot eventually became the official spokesperson of the Lennon estate.
Perfect for Beatles fans and music lovers, this book will provide an intimate and revealing portrait of John and Yoko as people, partners, and friends, and most of all, celebrate the friendship that John, Yoko, and Elliot shared for so long.
The wait is over: with the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.
Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film — plus several additional songs recorded off-camera - have been officially issued.
One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band.
Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits Live and Let Die, Band on the Run, Jet, My Love, Hi, Hi, Hi, Junior’s Farm, Paul’s much loved solo song Maybe I’m Amazed, reworked extracts of Beatles classics Let It Be, The Long and Winding Road and Lady Madonna, the Moody Blues hit Go Now with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic Baby Face.
One Hand Clapping will be released in multiple formats including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track Blackpool, The Beatles’ iconic Blackbird, Wings B-side Country Dreamer, and cover versions of Eddie Cochran’s Twenty Flight Rock (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s Peggy Sue and I’m Gonna Love You Too.
One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This recording gives an insight into the inner workings of the band as they work and play together in the studio. It also underscores Paul’s incredible talent as a live performer: Fifty years on, Paul is still performing many of these songs in packed stadiums across the world.
The wait is over: with the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.
Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film — plus several additional songs recorded off-camera - have been officially issued.
One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band.
Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits Live and Let Die, Band on the Run, Jet, My Love, Hi, Hi, Hi, Junior’s Farm, Paul’s much loved solo song Maybe I’m Amazed, reworked extracts of Beatles classics Let It Be, The Long and Winding Road and Lady Madonna, the Moody Blues hit Go Now with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic Baby Face.
One Hand Clapping will be released in multiple formats including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track Blackpool, The Beatles’ iconic Blackbird, Wings B-side Country Dreamer, and cover versions of Eddie Cochran’s Twenty Flight Rock (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s Peggy Sue and I’m Gonna Love You Too.
One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This recording gives an insight into the inner workings of the band as they work and play together in the studio. It also underscores Paul’s incredible talent as a live performer: Fifty years on, Paul is still performing many of these songs in packed stadiums across the world.
The wait is over: with the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.
Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film — plus several additional songs recorded off-camera - have been officially issued.
One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band.
Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits Live and Let Die, Band on the Run, Jet, My Love, Hi, Hi, Hi, Junior’s Farm, Paul’s much loved solo song Maybe I’m Amazed, reworked extracts of Beatles classics Let It Be, The Long and Winding Road and Lady Madonna, the Moody Blues hit Go Now with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic Baby Face.
One Hand Clapping will be released in multiple formats including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track Blackpool, The Beatles’ iconic Blackbird, Wings B-side Country Dreamer, and cover versions of Eddie Cochran’s Twenty Flight Rock (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s Peggy Sue and I’m Gonna Love You Too.
One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This recording gives an insight into the inner workings of the band as they work and play together in the studio. It also underscores Paul’s incredible talent as a live performer: Fifty years on, Paul is still performing many of these songs in packed stadiums across the world.
Dark Horse Records has announced the release of Dreamers In The Field, the first-ever collaboration between Huun-Huur-Tu, Carmen Rizzo and Dhani Harrison.
Mastered by Paul Hicks (The Beatles, The Rolling Stones, John Lennon, George Harrison), Dreamers In The Field is now available for streaming everywhere while a very special, limited edition clear vinyl pressing is being released exclusively for Record Store Day on April 20.
Dreamers In The Field blends Huun-Huur-Tu’s trademark throat singing and traditional Tuvan instruments with the modern production and instrumentation from 2x Grammy-nominated producer and musician Carmen Rizzo (Seal, Alanis Morissette, Coldplay) and Grammy-Award winning musician Dhani Harrison. Recorded all over the world – from Los Angeles to Europe and Russia to Dhani’s very own F.P.S.H.O.T. Studios in Henley-on-Thames, UK – this beautiful album is mesmerising from start to finish.
"This album is more than just a collaboration for us,” explains Huun-Huur-Tu’s Radik Tyulyush. “It brings us to a crossroads of many different styles, rhythms and languages. Carmen and Dhani, together with Huun-Huur-Tu, have created something beyond mere collaboration; it is a celebration of beauty, harmony, love and kindness. Words are not necessary; you just need to listen and experience the journey of Dreamers In The Field to see how beautiful and diverse Mother Earth is with us."
"This is my third album collaborating with Huun-Huur-Tu,” reflects Carmen Rizzo. “We wanted to do something different and challenging and adding my dear friend Dhani to this journey made it complete. What Dhani brought was more than just his musical talents; his passion and knowledge for ethnic and indigenous music from all over the globe speak for themselves. When we started to record, everything fell into place organically. We wanted this album to take the listener on a mesmerising journey of beauty until the end.”
“It is extremely difficult for me to explain in so few words what Huun-Huur-Tu means to me on a musical, let alone, a spiritual level,” explains Dhani Harrison. “The discovery of their catalogue changed my life permanently not only in the direction of the music I make but inwardly too, in the type of frequencies I wish to let into my system from now onwards. The amount of time I have spent listening to these master musicians since I first discovered their work probably exceeds all other music combined. I genuinely believe that our introduction was a divine gift that is given to very few and I will forever cherish the trust that has been bestowed upon me in letting me be a part of their magical musical journey. For those of you who are unfamiliar with their work, I hope that this record can serve as a jump-off point from which to dive into the infinite resounding love frequency that permeates their entire catalogue.”
Musician, producer and recording engineer Jerry Hammack, author of The Beatles Recording Reference Manuals series, will release The Beatles’ Recording Techniques – a new book that explains how to create and mix music in the spirit of the Fab Four’s legendary sound – on April 23, 2024.
“Studio professionals, home studio-based artists and engineers have long sought to get that ‘Abbey Road’ sound in their recordings, and now they can learn how,” says Hammack. “But this is not a ‘recipe’ book, so to speak. It details how to make music with modern tools in the way the Beatles did – and to take those tools and techniques and apply them to your own creative output.”
The Beatles Recording Techniquesincludes information on:
- The equipment that gave birth to the iconic EMI (later renamed Abbey Road) Studios sound and their contemporary emulations: including consoles, outboard processing, effects, microphones and more.
- The fundamental signal routing for sessions at EMI using both the REDD and TG consoles and how to recreate them in your DAW with both stock and third-party plugins.
- The recording principles and practices of George Martin, Norman Smith, Geoff Emerick, Ken Scott and Glyn Johns that defined The Beatles' sound, whether working in mono, twin-track, four-track or eight-track.
- Insights into how the team at EMI approached the recording of every type of instrument and amplifier, including the use of effects, tape loops, and pioneering recording methods.
- The fundamentals of creating authentic sonic landscapes that capture the spirit of EMI Recording Studios.
Hammack’s exhaustive research includes countless book, audio, video, photographic, and other sources. "The Beatles' Recording Techniques is more than a history lesson,” he says. “It's a practical guide for the modern musician and audio professional. The knowledge contained within these pages will empower people to replicate the distinctive EMI sound while encouraging innovation in their own music.”
Hammack’s previous books, The Beatles Recording Reference Manuals, have all been Amazon #1 bestsellers in both the US and UK, and volumes 1 and 3 were nominated for Excellence in Historical Recorded Sound by The Association for Recorded Sound Collections (ARSC). He has dedicated over 35 years to the musical arts and is uniquely qualified to sort out the story of The Beatles’ recordings. From his home in Toronto, Canada, he explains, “Understanding the nuts and bolts of how these songs were produced and recorded can open up a whole new world of creativity for the home studio community.”
Producer and engineer John Leckie, an Abbey Road Studios alumnus who has worked with John Lennon, Paul McCartney and George Harrison among others, calls Hammack’s new book “a total immersion in recreating The Beatles' sound in your digital workstation in a way that is not only instantly recognisable, authentic and professional, but also serves as an ideal starting point for your personal creativity. If you love The Beatles' sound and want to achieve it both sonically and in terms of production techniques, this book is a must-have. It fully explains how to use your DAW in emulating correct Abbey Road practices, with great suggestions for everything from microphones, instrumentation and amplification to effects that will inspire you to paint your own pictures in sound!”
An essential companion for any music professional – as well as for Beatles fans, scholars and students – the new book can be purchased at beatlesrecordingtechniques.com or on Amazon.
Jerry Hammack is represented by 910 Public Relations, and is available for interviews, book signings, and speaking engagements. Copies of his book are available for review upon request. For more information, please contact: nicole@910pr.com