78 RPM - Lillian Glinn - All Alone And Blue / Come Home Daddy - Columbia - USA

78 RPM Record

Artist:	Lillian Glinn
Label:	Columbia
Country:	USA
Catalogue:	14300-D
Date:	10 Apr 1928
Format:	10"
Genre:	Vocal, Blues
Collection:	I Own It I Want It
Community:	1 Owns, 1 Wants
Price Guide:	$50 - $75
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PRICE GUIDE

$50 - $75

Track	Artist	Title	Composer	Rating
A	Lillian Glinn	All Alone And Blue	Burleson	Rate
B	Lillian Glinn	Come Home Daddy	Burleson	Rate

Notes

Both sides recorded in Dallas, Dec 2, 1927
W 145312 1-G-1 / All Alone And Blue
W 145313 2-G-2 / Come Home Daddy

Images

Number: 3501770

THUMBNAIL
Uploaded By: LaurenceD SUBS
Description: Columbia 14300-D A side label (1928 Oakland pressing)

Number: 3501771

Uploaded By: LaurenceD SUBS
Description: Columbia 14300-D B side label (1928 Oakland pressing)

Number: 3502132

Uploaded By: Mike Gann
Edited By: xiphophilos
Description: Columbia 14300-D A side label (1928-1929 Bridgeport repress)

Number: 3502135

Uploaded By: Mike Gann
Edited By: xiphophilos
Description: Columbia 14300-D B side label (1928-1929 Bridgeport repress)

Comments and Reviews


han enderman 26th Feb 2024		Co 14300-D - Mike Gann has added the original labels. The last Jan13/May23 label in the 14000-D series is 14249-D (14248-D is Martha Copeland, Nobody Rocks Me, but its A-side has possibly the Jan/RE label on all copies). 14250-D has Jan13/RE, and is Bessie's Mean Old Bed Bug. So the exact month of the change is known for this series, but might be slightly different in the main popular series. The West Coast still used up the remaining old label stock. 14351-D/52-D (Sam Morgan/M.Copeland) have Jan/May on the West Coast labels; 14353-D Ethel Waters has Jan/RE.



W.B.lbl 25th Feb 2024		Bridgeport labels also were die-cut at 89.5mm (3.5236") at the time, being as when pressed onto the record, they'd shrink to about 89.0mm (3.5039"). I presume the labels on Oakland's pressings were about a millimeter less (i.e. originally at 88.5mm, but when pressed appeared 88.0mm)? The small deep groove, meanwhile, was roughly 28.5mm (1.122") on the inner edge and between 31.5mm (1.2402") and 32.0mm (1.2598") on the outer edge. Also, Bridgeport's use of 10 point Gothic Condensed No. 1 dated to the mid-1910's. It was around 1927 that it popped up again on these labels.



xiphophilos 25th Feb 2024		Images 3501770 and 3501771 show the song titles on both sides set in a larger serif font, 12 point Century Expanded, which is typical for Oakland, CA pressings (from Fall 1926-1936 or later), cf. W.B.lbl’s comments at here. On images 3502132 and 3502135, in contrast, the song titles are set in the smaller sans-serif typeface 10-point Gothic Condensed No. 1, which the Bridgeport pressing plant began to use in 1927, see W.B.lbl's comments at here.



xiphophilos 25th Feb 2024		The variant label is a 1928-1929 Viva-tonal style label marked as "Viva-tonal Recording" with one patent date (Jan. 21, '13) and patent nr. RE. 16588 at bottom. The original is a Feb. 1927-1928 Viva-tonal style label marked as "Viva-tonal Recording" with three lines of registration text in English and Spanish under the Columbia logo and with two patent dates (Jan. 21, '13 and May 22, '23) at bottom. Infos per M. Sherman & K. Nauck, "Note the Notes," page 32.



Mike Gann 25th Feb 2024		A-side and B-side variant label images added

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