Here's a later recording, made for Decca in 1936 (cat# 5206 B), probably sung to the same melody (with some parts of "She's A Hum Dum Dinger" in it), which seems to be no less smutty (transcription taken from The Mudcat Café again):
HIGH-GEARED MAMA
(Jimmie Davis)
Now talk about your gals but I've got one
She's a high-geared mama, she's a son of a gun
She's got knee actions so they say
You oughta see her make her getaway
She's a high-geared mama comin' to town
Don't let her get you down
She can walk the dog, she can ball the jack
She can really cock 'em back
She's a high-geared mama built for speed
She has got anything you need
She's a high-geared mama comin' to town
Don't let her get you down
Instrumental break
She can throw it in high, she can throw it in low
Make an old man grab his stick and go
She wanted a dress and she wanted a ring
But she didn't even want to shake that thing
She's a high-geared mama comin' to town
Don't let her get you down
She's a two-time mama when I leave her at home
She calls another daddy on the telephone
She's snorted and cavorted, capered and reared
She never even whimpered and never even cared
She's a high-geared baby comin' to town
Don't let her get you down
Instrumental break
For exercise she'd walk a mile
She can cut your pork chops any old style
If you like a girl like this girl of mine
You can come get mine just any old time
She's a high-geared mama comin' to town
Don't let her get you down
I took her to church the other day
She and the preacher made a getaway
They buried the preacher a mile from town
She come to the funeral in her red nightgown
She's a high-geared mama comin' to town
Don't let her get you down
Instrumental break
She's a high-geared mama comin' to town
Don't let her get you down
Words and music by Jimmie Davis. Recorded 21 March 1936 in Roosevelt Hotel, New Orleans, Louisiana. Issued as De 5206.
In case you don't get all the filth and smut in this 1932 recording, here's a transcription that I've found on The Mudcat Café:
RED NIGHTGOWN BLUES
(Jimmie Davis)
We bought the license went to see Parson Brown,
Corrine couldn't wait and she throwed me down;
Says now Parson don't wait so long,
Two more minutes and I'm going wrong.
She's comin' through town in a red nightgown,
Somebody head Corinne.
With two head locks and a sock in the jaw,
I said, "Corinne, what's the matter now?"
Said, "Papa steady, don't take me so fast,
If you take me too fast, sweet mama can't last."
She's comin' through town in a red nightgown,
Somebody head Corinne.
[instrumental break]
We went home to settle down,
Corinne chased me round and round;
Says "Now Papa, don't you run,
You're my meat, you son of a gun."
She's comin' through town in a red nightgown,
Somebody head Corinne.
She called in the neighbors to head me off,
I made a high dive for the old hayloft;
About daybreak, I must say,
In the peanut hay sweet mama strayed.
She's goin' through town in a red nightgown,
Somebody head Corinne.
[instrumental break]
Well, the goobers flew and the hay went wild,
Fireman, fireman, save my child!
Never again will I settle down
With the girl they call Corinna Brown.
She's comin' through town in a red nightgown,
Somebody head Corinne.
[instrumental to end]
from a 1932 Bluebird recording by Jimmie Davis, #B-5699-A
Video from the Bluebird reissue (B-5699) added. Although "Red Nightgown Blues" was the A-side there (obviously because it had become, like "She's A Hum Dum Dinger", a secret hit), I have doubts that it was the A-side of the Victor original.
[Edit: it was the B-side according to Victor files, record label has still to surface.]
The Shreveport Home Wreckers (Ed Schaeffer & Oscar Woods) feature on the A-side, which is a paean to sheer, unadulterated, uncensored filth. How many would have volunteered to "head Corrine", as per the singer's extremely generous invitation???!!. Copy sold on ebay 3 years ago for £100.00, which was an absolute steal.