Benny Goodman And His Orchestra
A: Vocal Chorus by Peggy Lee. Fox Trot - From "Paris".
Recorded September 25, 1941, mx: CO 31367-2
Recorded October 21, 1941, mx: CO 31367-4 B: Fox Trot.
Recorded September 25, 1941, mx: CO 31364-2
Date: September 25, 1941
Location: Liederkranz Hall, 115 East 58th Street, New York
Label: COLUMBIA
Benny Goodman (ldr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Morty Stuhlmaker (b), Mel Powell (p), Jo Jones (d), Peggy Lee (v)
a. CO 31363-"A" Alternate How Deep Is The Ocean? (Irving Berlin) / arr: Eddie Sauter
b. CO 31363-"B" Alternate How Deep Is The Ocean? (Irving Berlin) / arr: Eddie Sauter
unissued
c. CO 31363-2 Alternate How Deep Is The Ocean? - 3:20 (Irving Berlin) / arr: Eddie Sauter
d. CO 31363-1 Alternate How Deep Is The Ocean? - 3:20 (Irving Berlin) / arr: Eddie Sauter
e. CO 31366-1 Alternate That's The Way It Goes - 3:05 (Alec Wilder, Sid Robin) / arr: Eddie Sauter
f. CO 31366-2 Master That's The Way It Goes - 3:09 (Alec Wilder, Sid Robin) / arr: Eddie Sauter
g. CO 31367-1 Alternate Let's Do It - 2:00 (Cole Porter) / arr: Mel Powell
unissued
h. CO 31367-2 "Secondary Master" Let's Do It - 2:01 (Cole Porter) / arr: Mel Powell
COLUMBIA's Okeh 78: Ok 6474 — {Let's Do It [take 2 pressing]/ The Earl [instrumental]} (1941) ...
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Date: October 21, 1941
Location: New York
Label: COLUMBIA
Benny Goodman (ldr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
a. 31367-"A" Alternate Let's Do It (Cole Porter) / arr: Mel Powell
unissued
b. 31367-"B" Alternate Let's Do It (Cole Porter) / arr: Mel Powell
unissued
c. CO 31367-3 Alternate Let's Do It - 2:00 (Cole Porter) / arr: Mel Powell
d. CO 31367-4 Master Let's Do It - 2:16 (Cole Porter) / arr: Mel Powell
COLUMBIA's Okeh 78: Ok 6474 — {Let's Do It [take 4 pressing] / The Earl [instrumental]} (1941)
e. CO 31426-"D" Alternate Shady Lady Bird (Ralph Blane, Hugh Martin) / arr: Eddie Sauter
f. CO 31426-"E" Alternate Shady Lady Bird (Ralph Blane, Hugh Martin) / arr: Eddie Sauter
g. CO 31426-3 Master Shady Lady Bird - 2:45 (Ralph Blane, Hugh Martin) / arr: Eddie Sauter
Here's something from Mosaic Records, confirming the Sep 25, 1941 date guess for "The Earl":
(BB) Jimmy Maxwell, Billy Butterfield, Al Davis, Cootie Williams (tp), Lou McGarity, Cutty Cutshall
(tb), Benny Goodman (cl), Clint Neagley, Skip Martin (as), Vido Musso, George Berg (ts),
Chuck Gentry (bari), Mel Powell (p), Tom Morgan (g), Marty Blitz (b), Jo Jones (d).
NYC, September 25, 1941
CO 31364-? The Earl (MP-arr) BD T-1014 (LP)
CO 31364-1 The Earl (MP-arr) -1 V-Disc 425 A, Navy V 205 A
CO 31364-2 The Earl (MP-arr) -1 OK 6474
There are some Benny Goodman discographies on books.google of which I can only see small excerpts but they seem to confirm the Oct 21, 1941 date for the re-recording of "Let's Do It", so the Oct 24, 1941 date in the notes, taken from 78discography.com is probably a mistake and has to be corrected anyway.
Interestingly, according to the extensive and worth reading Peggy Lee Bio-Discography And Videography and in contrast to the notes above, OKeh 6474 was pressed with two different takes of "Let's Do It", actually from two different recording dates with different personnel. Apparently only take 4 (2:16) was made on the above mentioned Oct 21, 1941 session whereas the shorter take 2 (2:01) was recorded about one month earlier, on Sep 25, 1941:
A peculiarity of Okeh #6474 is that it was pressed with two different takes of "Let's Do It." One pressing contains take #2, another take #4. The pressing which features take #2 was released first, then withdrawn and replaced with take #4 pressings. The presumed motivation for that withdrawal was the lack of an audible drummer in take #2. Goodman and/or Columbia might have objected to the company's issuing of the drumless take. (Notice also that, although Columbia's cataloguing system identifies these two performances of "Let's Do It" as takes from the same matrix, 31367, the so-called takes were actually recorded at different dates, rather than during the same session.)
Noteworthy from the same source is that this was Benny Goodman's first record on Columbia's subsidiary, OKeh, and that "Let's Do It" was Peggy Lee's first big hit, "a must in her repertoire for years", but probably enjoyed very little radio airplay, due to the suggestive bent of the lyrics.
Based on the matrix numbers alone, it can be assumed that "The Earl" was also recorded on Sep 25, 1941, not on Oct 21 (much higher numbers were allotted to Columbia / OKeh recordings at the end of October).