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CD Album

Artist: Bobfields Title: Heads So Full Label:   IMG Country: USA Date: 2000 Catalogue: IMG01 Barcode: 804647000122 Format: CD Album Collection:   I Own It     I Want It  Community:  1 Owns Price Guide: Valuation Page » Search on eBay

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Track	Artist	Title	Composer	Rating
01	Bobfields	Trouble With The Knees	Bobfields	Rate
02	Bobfields	Save It Up For Fall	Bobfields	Rate
03	Bobfields	Road Map	Bobfields	Rate
04	Bobfields	Pill	Bobfields	Rate
05	Bobfields	Acrylic	Bobfields	Rate
06	Bobfields	More Than Me	Bobfields	Rate
07	Bobfields	Manchester	Bobfields	Rate
08	Bobfields	Change You Change Me	Bobfields	Rate
09	Bobfields	Swim The Australian Crawl	Bobfields	Rate
10	Bobfields	The Rest Of Life	Bobfields	Rate
11	Bobfields	Tracing Paper	Bobfields	Rate

Notes

an independent artist a.k.a. Bob Fields - a band from Hoboken, NJ
produced by bobfields and Wayne Dorell
engineered by Wayne Dorell at The Pigeon Club / mastered by Alan Douchess, West West Side, NY
IMG Records, Allenhurst, New Jersey (defunct?)

the band is: Doug - vocals / Chris - guitar / Mike - guitar / Dave - drums
Bob Stein - bass on all songs
Rani Vaz - violin on Road Map

This is an enhanced disc with photos, reviews, biographical information. See images

Images



Comments and Reviews

whitewhale1965 15th Feb 2020		the reviews found on the enhanced portion of this CD do not jive with this one: A follow up to their 1998 EP, I'd Like to Solve the Puzzle, Bob Fields continue to ride the MP3/B-side wave that gave them their cult following. After drummer Joel Weisburger was replaced by Dave Noel, the band have enhanced their pop-oriented sound with a more punk-inspired delivery. Now their first album certainly has some flaws, like the misdirected, off-tempo sludge of "Trouble With the Knees," which has promise to go much further but doesn't. "Road Map" and the anemic "More Than Me" also suffer the same fate. "Save It Up for Fall" seems to wake the album up from a lengthy stupor, with guitarists Chris Langston and Mike Moebius adding a good backdrop. The album's desire to be radio-friendly is its greatest flaw, however. Lacking a degree of cohesiveness, the record wanders from genre to genre in the hopes of finding something that sticks. A perfect example of this is the epic eight-minute finale "Tracing Paper." Veering stylistically makes the song relatively soft, and, at times, quite amateurish. AllMusic Review by Jason MacNeil

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