Rated 8/10I'm a big fan of Brit Crime and I've seen some crackers this year: The Squeeze and Clash By Night being two barely anyone talks about. The Offence is another one hardly anybody mentions. It's not quite up there with Get Carter, Brighton Rock and The Long Good Friday, but it is excellent in its own way.
Sean Connery plays Johnson a police Sergeant investigating a child murder and rape case. When the film started I thought he was playing a typical nasty bastard. What he manages to do is bring humanity and believability to a role which could easily end up being camp. Vivien Merchant is also brilliant as his long suffering wife, a role which could easily end up being one dimensional. Fellow Scot, Ian Bannen also brilliant as the criminal held in custody who manages to be creepy, but also smart. And of course veteran actor, Trevor Howard is intense as Johnson's superior.
Sidney Lumet always gets superb performances from his actors and can make two people talking in a room incredibly immersive. Sadly these are now rare skills from directors who are overly reliant on special effects and shock tactics to mask paper-thin plots and weak characterisation.
Despite being made in the early 1970s the film is still shocking now. There's been many films dealing with child sexual abuse since. Silly and laughable vigilante films like "Hard Candy", misguided humanising films like "The Woodsman" or sensationalised victim films "No Child Of Mine". What is lacking in modern films like "Blitz" and "Harry Brown" is they are perfectly fine films but don't have any depth. There's a real lack of existential films dealing with Sartrean suffering and pathos.Sean Connery plays a broken man who can't be fixed and conveys more in 20 minutes than it takes some two television series to do. The script is also sharp: "It's funny the more I drink, the more sober I get." Indeed. This film wasn't the success people thought it would be with the star power of Sean Connery, it was too dark and too beguiling, but it's all the better for it.