I used to do similar when I was a kid. Wrap a piece of A4 paper into a cone. Poke a pin through the small end so it sticks out the other side. Set your dansette to play, but lift the tone arm off - and use the pin in the cone for a stylus. It does work.
I used to do this too (later on, you find out that this also ruins the record )
But, it's fun to do
I I fully intend to try again, now I have lots of battered unwanted vinyl to test it on.
(EDIT: to bring this back on topic)
Even if a 'modern' record has only one side that spins at 78rpm, then in my opinion it belongs on 78rpm world, with a corresponding entry elsewhere if appropriate for the other side (obviously both sides should be listed on both entries, Notes and images helpful to explain).
Rock, Country or R. & B. - Classic Hits for me! Member since Dec 2014 252 Points
carryonsidney wrote:
There is a precursor ?- 1950's 78's on Pye Nixa are often vinyl and pretty much like a 45 groove?
Curious Nixa ahead of the pack there! Point to make here though. Wouldn't have been PYE Nixa until 1959. That's when PYE Electrical leased its trademark to Nixa as the electrical company was keen to get into the recording industry but possessed neither studios nor processing plants.... "Hey, hang on a tick! Nixa's got all that, let's join forces with them! And to sweeten the deal we'll even lease them our trademark!"(possible words spoken by a PYE exec, perhaps?)
Running back to Pye, if the timeline in wiki is correct, Pye bought Nixa in 1953, but it was only after Pye bought Polygon ( for the Petula Clark connection mostly ), - 'standard ' 78s as far as I recall, in 1955 merging with Nixa and naming the label Pye Nixa. When ATV bought 50% of the company in 1959 (when - late ) the label got renamed Pye - though so far we have only two clear issues, both 1960, as Pye on 78world. In 1966 ATV bought the other half and presumably this was when the right to use the PYE name for (?25years?) was signed.
Rock, Country or R. & B. - Classic Hits for me! Member since Dec 2014 252 Points
Pridesale wrote:
Running back to Pye, if the timeline in wiki is correct, Pye bought Nixa in 1953, but it was only after Pye bought Polygon ( for the Petula Clark connection mostly ), - 'standard ' 78s as far as I recall, in 1955 merging with Nixa and naming the label Pye Nixa. When ATV bought 50% of the company in 1959 (when - late ) the label got renamed Pye - though so far we have only two clear issues, both 1960, as Pye on 78world. In 1966 ATV bought the other half and presumably this was when the right to use the PYE name for (?25years?) was signed.
1966? That would've extended the PYE label through to 1991 if it had followed through, but PYE pulled out in 1979 or 1980 and left the record company ohne*(* German for "without") a trademark, hence the birth of PRT(Precison Records & Tapes).
Agreed - there are also, of course, several examples of 12" singles with one side playing at 33.3, which do not an album make!
Of course not, an album is a collection of songs or photographs, stamps, butterflies, baseball cards, belly button lint, scabs or whatever else you collect in albums. And, there were LOADS of 33 rpm 7" singles made, some with more than one song per side, but those were E.P.'s, not albums. The first Joe Jackson album and a Turtles best of collection were both released on a set of 45's (I'm pretty sure a Paul McCartney album was, too!), but they're still albums. Speed doesn't have much to do with the designation of the format. Back in the `40's and `50's there were LOTS of album sets sold on 45's, just as they were on sets of 78's in the previous few decades. In the early `80''s, Big Country did a soundtrack album for a movie called, "Restless Natives", but, they released it in two parts on two consecutive 12" singles at the speed of 45 rpm. It actually IS 2 parts of an album, but it's still a 12" single. Moby Grape loaded a 78 rpm track on their second album, but it was still part of an album.
BUT (and this is a BIG but!), as the site is based around 78's, shouldn't it also include ANY 78's that have been made regardless of the material they were pressed into or the methods used to play them?
There is a new fashion for issuing contemporary singles on 12" vinyl with one side playing at 78 rpm. These are of course microgroove pressings and are certainly not intended for playing with a steel needle. I imagine that the expectation will be that the 78 side is unlikely ever to be played as the only turntables capable of this are distinctly vintage, though no doubt cheapo USB models will be appearing soon.
So far most of these have been added as 12" Singles and I suggest that these '78s' do not belong on 78 RPM World, where we should restrict ourselves to old-school shellac and vinyl records which can be played with a needle at the business end, or latterly with a turn-over stylus.
How do other users feel about this?
- Jules
Technics (I think) has a pretty expensive modern turntable that will play 78's if you press both, the 33 and 45 buttons at the same time. After all, 33 + 45 = 78!!
I'm not sure the capability of the turntable itself matters any more in some senses Juke... you can play (and record) at a different speed, then alter the speed of the recording in a programme like Audacity.
Or, you can do what I do, record a 78 at 45 onto a tape deck with variable pitch at slow speed, then play it back at high speed and adjust the pitch up a few notches and copy that to another recording device, like a CD!
I do see your point, albeit from my own somewhat typically weird POV, which I why I argued a while back against the inclusion of kiddie records (recommending a 'kiddie record word') and cylinders here in the 78s.
Cylinders and diamond discs are as incompatible as (in fact more so) as are the microgroove 78s.
To my eyes, it sounds like you are essentially saying that only 78s from the 'golden age' (roughly 1960 outside the 3rd world) are the only ones that belong on the 78 site.
If you are going to use groove size as a gauge, the the Bell 78s of the 1950s no longer qualify, because even as 7 inch, being microgroove, they said on the label 'use lp stylus'
Nope -- the modern 78s belong here -- if only because they are a continuing tribute the beauty of a rapidly rotating record.
I'd say -- put 'em in both places!
Amy
Yes, Amy, and, what about all the vinyl 78's from the `50's and early `60's! Surely, they shouldn't be played with a steel needle (my dad said that if something went bad with his needle, he'd get one of his mom's sewing needles, cut off the tip and use that to play his records! That'd rip the hell out of any of those vinyl 78's!!)! I have a few promo 78's from the early 50's on RCA Victor that were pressed on a thin slab of vinyl!! They almost weigh less than a 45! I also have a 12" promo 78 from that era on red vinyl! If the stock copies on shellac belong here, why wouldn't the promo vinyl copies?
Referring to USB turntables that spin at 78 my Maplin cheapy sourced one does , but for the wide-groove ones it needs an additional '78' stylus, and of course the one I need they don't currently have in stock ( really the ION turntables are not the best things to play most records on as the tone-arm mechanism is fairly crude )
I tried an ION, I didn't like it. Partly just because it doesn't even have a lid!
I dug out some Kidditunes 6" 78s and noticed that they are microgroove 78s, with the legend "Use any needle - Play on any gramophone" on the rear of the sleeve
I think they were often played on those red plastic battery turntables with inbuilt speaker, sold in toy departments of suburban department stores, they sounded terrible, when I was 3 I ran away from one to find a proper record shop.