A1 | The Incredible String Band | Chinese White | Heron | Rate |
A2 | The Incredible String Band | No Sleeping Blues | Williamson | Rate |
A3 | The Incredible String Band | Painting Box | Heron | Rate |
A4 | The Incredible String Band | The Eyes Of Fate | Williamson | Rate |
A5 | The Incredible String Band | Little Cloud | Heron | Rate |
A6 | The Incredible String Band | The Mad Hatter's Song | Williamson | Rate |
B1 | The Incredible String Band | Blues For The Muse | Williamson | Rate |
B2 | The Incredible String Band | The Hedgehog's Song | Heron | Rate |
B3 | The Incredible String Band | First Girl I Loved | Williamson | Rate |
B4 | The Incredible String Band | You Know What You Could Be | Heron | Rate |
B5 | The Incredible String Band | My Name Is Death | Williamson | Rate |
B6 | The Incredible String Band | Gently Tender | Heron | Rate |
B7 | The Incredible String Band | Way Back In The 60's | Williamson | Rate |
Produced by Joe Boyd.
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annaloog ● 23rd Dec 2023
| | What's the deal with "The Mad Hatter's Song" vs. "The Eyes Of Fate"? Some labels show the titles at A4 and A6, other show them at A6 and A4. |
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ppint. 22nd May 2020
| | you can follow the changes elektra records (u.k.) ltd. went through from independent, getting records pressed by various uk plants (possibly on an ad hoc basis) and importing from the parent company; to polydor uk's licensing elektra product and the label from the u.s. parent company, with the manufacturing arrangements as per polydor uk's local arrangements - which varied somewhat over the years, including the changes due to philips uk group & polydor uk mutating into phonogram, and polygram - through the eventual determination of polydor's licence, and onto what i recall as being rather shorter-term licencing arrangements, etc, in somewhat finer granularity, by following the evolution of the elektra singles label on 45cat.
i don't off-hand remember the date, but jac holzman sold elektra to kinney national at about the same time as they bought atlantic records, after which uk elektra's arrangements became just one part of negotiations between progressively larger conglomerates, through the effective end of the elektra label in favour of asylum - for a while. |
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Gian_paolo 10th May 2020
| | Look right Fokeman, thanks! |
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Fokeman 9th May 2020
| | I would have thought that early Elektra issues in the UK used Polydor. Joe Boyd was working for Elektra in the USA and he came over to the UK to push records onto the Polydor sub-label Bounty (amongst others). I think the relationship with Polydor lasted for a while before it became clear that Elektra could establish itself in its own right. When that happened they dropped the Polydor credits and just used Elektra (UK) credits.
This is purely hypothetical so I'm not saying one way or the other. Just that it could put the other records first and the brighter Gilberts004 labels last...
No, just checked and you're right Gian_Paolo!
Does this look right? |
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Gian_paolo 7th May 2020
| | From what I can see and understand, Gilbert's labels must be first pressings, TopPopper 2nd (my copy is identical), BillyTwo 3rd pressing (publishing changes to Paradox/Essex).
There should be at least a fourth pressing of this Mono LP, with Warlock Music/Essex publishing, which makes it a late '68 early '69 pressing. |
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TopPopper 12th May 2018
| | More label scans added. Text appears to be a hybrid of the other two examples, with elements from each. |
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Gilberts004 SUBS 11th Apr 2018
| | two full front and back images added
unfortunately I added wrong way around, and named them wrong. Apart from that it went well.
Mod edit: fixed |
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Gilberts004 SUBS 29th Mar 2018
| | There is a 3rd label currently on eBay 392004074332
buy it now, with same EUK-257-A and B, also incl. Polydor.. |
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Lee Wrecker 29th Mar 2018
| | After a quick look here on the net it looks as though your labels are the earlier of the two here Gilbert. |
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Gilberts004 SUBS 29th Mar 2018
| | two labels added, with Manufactured in England, no mention of Polydor
any ideas which came first?. |
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