Added scans of this album. The sun was not as bright as in that 90s photoshopped vitual reality..... and it has not been since I bought this in about 78 or 79. As you can see, the LP title belongs at the bottom, and the Fontana logo to the top. So even as my copy may not be pristine, it is the real thing.
I really DO love DDDBM&T, lots of Freakishness on something ridiculed as kids' stuff in the 70s.
ReviewRe -Issued as CD with additional tracks in 2003.
I cannot remember where I got mine(Actually Mono Version) from , could have (unusually for me) been a local record shop - as opposed to one in a larger town, or a second hand purchase in the mid 70s. It w in asstorage at the in-laws - and had been since 1994 , but thanks to the internet some of the tracks seem to have been uploaded , I wont show them here due to the date of issue. Anyway its now been on the autochanger, much to my enjoyment.
Wiki tells me this is the Fourth Studio Album , Allmusic says The Third Album and last before Dave Dee left in 1969 for a solo career.
Allmusic has a fair review , but I think I can do better, based around Allmusic as a structure.
True to their previous hits, the songwriting team of Ken Howard and Alan Blaikley -- who also managed the band -- centered their material on catchy, if not somewhat quirky, melodies with highly singable choruses.
The sleeve notes , I recall , seemed to have been attributed to Dave Dee , and stated that the words for A1 / B7 were sent in by an unnamed girl 'fan' {more true if I said Inspired By, and the stanza is printed on the back of the sleeve} The title composition, "If No One Sang" -- which bookends the effort with a pair of [slightly differing] renderings -- demonstrates DD, D, B, M & T's versatility. The dark chord progressions and solitude of the desolate acoustic guitar and solo vocal immediately suggest the more mature tenor of the material. Certainly there are reflective structures in some of the tracks , with the use of minor chords and some give thought to something like the Moody Blues in places.
45catters will already recognise The Legend of Xanadu , Zabadak and Mrs Thursday.
Where From, Where To? as the title suggests is a reflective ( but mid-tempo) number, for 'I've Got A Feeling' the Zabadak percussion comes out in an up-tempo ?Samba? beat. 'In A Matter Of A Moment' is a smoochy ballard , 'Mama, Mama' a hard - hitting rock number . ' If I Were A Carpenter ' is well known , but gets the groups progressions featuring. 'Look At Me' - think 'Deliah' crossed with 'Tears of a Clown' , ' The Tide Is Turning ' is possibly the strongest non-single track on here , and had not 1968/96 been both crowded in the pop charts and already two tracks out as A Sides , would have surely charted. 'Breakout' (*)and 'Time To Take Off' I don't remember.
In some ways this probably features Dave Dee to the exclusion of others vocals (maybe not A1b seem so indeed Dozy gets the solo credit likewise the last track on A side), Dave Dee is credited on A1a,B1, B3, B5, B6a, the whole group on the rest of the tracks except A4 Mrs Thursday- Dave Dee Beaky and Dozy and sometimes instrumentation as has studio orchestral over some of the tracks.
In all a recommended buy.
(*) I am reminded on 45cat that 'Breakout' was paired with 'Mrs Thursday' for the USA single release