Drums : Jim Gordon, Jim Keltner, Andy Newmark.
Bass : Carl Radle, Paul Stallworth, Klaus Voormann, Willie Weeks.
Piano : Leon Russell, David Foster, Nicky Hopkins.
Electric Piano, Organ : Gary Wright, Billy Preston.
Organ and Arp Strings : David Foster.
Sax : Jim Horn.
Guitar and vocals : George Harrison.
Percussion : Norm Kinney.
Guitar : Jesse Ed Davis.
Horns : Tom Scott, Chuck Findley.
Guest Vocals on His Name Is Legs : Legs Larry "Smith".
Recorded and mixed at A&M Studios, Los Angeles. Produced by George Harrison.
"A PORKY/TONE PRIME CUT" is engraved in the run-out groove on Side 1.
"OOH GEORGE YOU'RE SUCH A DARK HORSE LUV GEORGE" is engraved in the run-out groove on Side 2.
ReviewI'm getting really tired of this LP constantly being hammered by the critics. Yet I agree, it certainly isn't his masterpiece. Most of George's solo records, even LP’s like “Living In The Material World” and “Thirty Three And A Third”, are very uneven. But it’s not absolutely terrible either, there are redeeming qualities.The single "You" is a good song, very commercial, but totally over produced in a “Phil Spector/All Things Must Pass” type of way. Was “You” recorded at another session? It sure sounds like it. I really like "The Answer's At The End", "His Name Is Legs", "Grey Cloudy Lies" and in particular Leon Russell's piano passage in "Tired Of Midnight Blue". On the other hand "Can't Stop Thinking About You" is not much to write home about. It's too repetitious and long. Oh, and the track "This Guitar (Can’t Keep From Crying)" is yet another good listen. George isn’t really a great singer and that becomes evident in several places on “Extra Texture” and many of his other LP’s. But I think this record was as good as George could possibly do at that time. To say that this was a throwaway and his contractual obligation is a very misleading, if not an outright lie. When he was in that previous band he got a lot of help from his friends and he was so much better because he only had to write one or two songs per album. Now he’s standing naked for all of us to see. We knew what his talents were as a player but it wasn’t until his solo career began that we really got a much better look at George’s abilities as a music creator.