Co 14116-D - label variants added. The incredible popularity of the record is indicated by the high stamper numbers. A65, E71 & F68 are used for label type #2 pressings, and D51 already for #1. B94 was used with #3 labels. Stamper 90 is used for #4 (mother not clear, but could be H). A G60 stamper for #2a is very unusual (visible on the B #2a image), as a little later the G is used for West Coast pressings only (type #W of this Ethel Waters record). Note that the common large West Coast G is a different font. I do not know when the Columbia West Coast pressings started.
A pair of original labels with three patent dates (Aug. 11, ’08, Jan. 21, '13 and May 22, '23) in the manufacturer credit on bottom line next to border uploaded and moved up. Dan Mahony has the additional information that the 1908 patent had expired in 1925, so it had to be removed in early 1926..
Thanks, xiphophilos, for the label design info and the additions to the record notes. The record was definitely a sales hit, still advertised three months after its release and apparently repressed in 1927 and later, and according to Dan Mahony's handbook The Columbia 13/14000-D Series: A Numerical Listing it already had a decent Initial Manufacturing Order (interpreted as being the quantity of records ordered on the initial pressing) of 16,550, one of highest of the series by then, plus Additional Supplies (additional labels to be printed in anticipation of possible large sales volume) of 7,000.
I should have listened to it though before I made my last comment about "Shake That Thing" having been a dance hit in Georgia. "Down in Georgia, there's a dance that's new" is actually just a quote of the first line of the song, not a statement about its success in that state.
Since this record came out in January 1926, all the images uploaded so far show represses. An original label can be seen on the "Shake That Thing" Youtube video: first Viva-tonal-style label with one line of registration text and three patent dates (Aug. 11, ’08, Jan. 21, '13 and May 22, '23) (used June 1925- very early 1926).
Images 3328868 and 3328869 represent an early repress on an early 1926 Viva-tonal style without the words "Viva-tonal Recording", with one line of registration text under the logo on top and two patent dates (Jan. 21, '13 and May 22, '23).
Images 1467209 (the A side) of the repress shows a Feb. 1927-1928 Viva-tonal style label marked as "Viva-tonal Recording" with three lines of registration text in English and Spanish under the Columbia logo and with two patent dates (Jan. 21, '13 and May 22, '23).
Images 1467208 (the B side) is a slightly earlier label that was still being used up in February 1927 when this repress was produced, an Oct. 1926-Jan. 1927 Viva-tonal style label marked as "Viva-tonal Recording" with two lines of registration text in English and Spanish under the Columbia logo and with two patent dates (Jan. 21, '13 and May 22, '23).
Source: M. Sherman & K. Nauck, "Note the Notes," pages 31-32. By looking at when these label designs first appear in our database, I've been able to narrow down the dates a bit more.
Better pair of labels uploaded in order to replace GumboStu's original images which have been hidden. j.monk's inferior brownish labels, however, have to stay because they belong to a later pressing, advertising the "Viva-Tonal" recording process. These labels were introduced only in September 1926 although Western Electric's process had been used by Columbia since mid-1925 at least.
According to the uploaded Columbia ad in The Afro-American (Baltimore, MD) on April 10, 1926, "Shake That Thing" was the top side (and a Georgia dance hit), so I have also flipped sides.