A mx: 78159 "Till We Meet Again" (take 3).
B mx: 78154 "Dreaming Of Home, Sweet Home" (take 3).
Both recorded New York, NY, October 24, 1918.
Letter printing code on labels: CX (March 1919); repress: LX (December 1919).
(DAHR)
Listed in The Talking Machine World, Jan. 15, 1919, p. 121: Record Bulletins for February, 1919 (i.e., released in late January 1919); the Campbell & Burr track is listed first.
Images
Number:431605 THUMBNAIL Uploaded By:annaloog● Description: Columbia A2668 A side label (1919) — machine-stamped mx: 78159
Number:431604 Uploaded By:annaloog● Description: Columbia A2668 B side label (1919) — machine-stamped mx: 78154
Number:1463835 Uploaded By:edlongus SUBS Description: Columbia A2668 A side label (1919-1920 repress)
Number:1463834 Uploaded By:edlongus SUBS Description: Columbia A2668 B side label (1919-1920 repress)
Number:1818212 Uploaded By:Bob1951 Description: A side label variant
Number:1818213 Uploaded By:Bob1951 Description: B side label variant
Label variant images added with label printing date code LY (Dec. 1918) and 1 line of patent text.
Xiphophilos, Wouldn't the LY (Dec. 1918) labels be the original release?
The CX labels above represent Columbia's label sub-variety iii: 6 patents in 2 lines, used between ca. 1918-19, so they must be from the original Jan. 1919 release.
The LX labels are an interesting mix: The A side (Campbell & Burr) is still sub-variety iii, with 6 patents in 2 lines; the B side (Sterling Trio), however, is an example of label sub-variety iv: 5 patents in 2 lines, used between ca. 1919-1920. So this must be a very early repress.
I'm surprised that both sides of the repress have the LX label code. This is the first time, I think, that I see a switch in label code that appears to have immediately preceded yet another switch in label design. Usually, both seem to go hand in hand.
(Label design info based on Mike Sherman & Kurt Nauck, "Note The Notes: An Illustrated History of the Columbia Record Label 1901-1958," p. 28).
By the way, I've switched the tracks around because in TMW, Campbell & Burr, probably the more famous act, are mentioned first.