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78 RPM



78 RPM Record

Artist:Jo Stafford
Label:  Capitol
Country:UK
Catalogue:CL.13302
Date:Jun 1950
Format:10"
Genre:Pop, Vocal
Collection:  I Own It     I Want It 
Community:  
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TrackArtistTitleComposerRating
AJo StaffordJolly Jo (M + H + R x 3ee-oo / 4/4 aa3 x 32 = Bop)Dave Lambert9.0  Rate
BJo StaffordSmilesJ. Will Callahan, Lee S. RobertsRate


Notes

with Dave Lambert and his Vocal Choir
with Paul Weston & his Orchestra

A side (mx. CAP.4131) recorded Hollywood, CA, April 1, 1949.
B side (mx. CAP.4130) recorded Hollywood, CA, April 1, 1949.
(source)

Images



Comments and Reviews
 
James Carson2
20 hours ago
 I’d like to confirm that I do not yet own this UK pressing, it is currently listed on eBay for £26 + £6 postage. That is where I got these photos from. If this goes against any rules I’m happy to remove the photos but for now at least we know this is a legitimate release.
 

 
James Carson2
20 hours ago
 Xiphophilos- thanks for all your comments,

https://www.45worlds.com/78rpm/record/57604 here I have submitted the USA pressing, with a photo of the Jolly Jo side I found on my iCloud gallery, it seems I never took a photo of the Smiles side but once I locate the disc again, I’ll be sure to do so

The Jolly Jo side on my USA copy has slight label damage as you can see on the photo but I think Smiles is okay
 

 
xiphophilos
21st Dec 2024
 A side:
 

 
xiphophilos
21st Dec 2024
 The Downbeat article partially explains this "Alge-Bop" formula:

Melody (M) plus Harmony (H) plus Rhythm (R) times 3 "ee-oo" vocalizations over a 4/4 beat of "aa" vocalizations to the third power times 32 bars equals Bop.
 

 
xiphophilos
21st Dec 2024
 Lee Ellen Martin writes in a 2016 Pittsburgh Ph.D. thesis entitled "Validating the Voice in the Music of Lambert, Hendricks, and Ross," page 154:

"Lambert chose to identify with bebop, and his identification with it was often featured in early reviews of his work. In a satirical display of bebop’s intellectual hipness, a Down Beat review of Dave Lambert and Jo Stafford’s recording of “M+H+R x 3ee – oo/ 4/4 aa3 x 32 bop (Jolly Jo)” refers to Lambert as a professor of “Alge-Bop.” Stafford and Lambert lampoon the visual markers of bebop hipness (see fig. 5.2 = Downbeat article). Stafford wears a beret and horn rimmed glass(es), and Lambert’s goatee is prominent. As a white man and a white woman the intellectualism of bebop is ambiguous (Unfortunately, the dangling modifier in this sentence adds to the ambiguity). Are they countercultural? Or since they are white(,) is this merely a reinforcement of the perception of the overly intellectual and overly white ivory tower? The photo satirizes the intellectualism of bebop for a more mainstream audience and presents the intellectualism of bebop through the guise of a white professor whose job it is to translate the bebop subculture for a white audience. This example reveals how the media carefully negotiated perceptions of race by interweaving the intellectualism of bebop hipness with more mainstream ideals of white-dominated academia."
 

 
xiphophilos
21st Dec 2024
 Fixed the mock mathematical formula for Bop, as far as that is possible when you have to put it all into a single line.

Since you say you have the US version on Capitol 57-604, James, I hope you'll add it.
 

 
James Carson2
20th Dec 2024
 The year is meant to be 1949, not 1959, apologies!!


mod edit: changed to 1949
 

 
James Carson2
20th Dec 2024
 I own the US pressing of this... I've always been intrigued by the title, where on earth did that come from!
 


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Linked Releases

USA - Capitol - 1949


See Also

78 Record
Jo Stafford - Georgia On My Mind / If I Loved You - Capitol - UK - CL. 13344 (1950)
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Jo Stafford - If I Ever Love Again / Baby, Won't You Please Come Home - Capitol - UK - CL 13251 (1950)
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Paul Weston - Rain / Blue Moon - Capitol - UK - CL.13304 (1950)
Next on Label
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Basil Rathbone - Mr. Toad - From "Ichabod And Mr. Toad" (Side 1) / Mr. Toad - From "Ichabod And Mr. Toad" (Side 2) - Capitol - UK - CL. 11004 (1950)
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