78 RPM - Grandpa Jones - There's A Grave In The Wave Of The Ocean / I'll Never Lose That Loneliness For You - King - USA

78 RPM Record

Artist:	Grandpa Jones
Label:	King
Country:	USA
Catalogue:	508
Date:	Sep 1945
Format:	10"
Collection:	I Own It I Want It
Community:	2 Own
Price Guide:	Valuation Page
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Track	Artist	Title	Composer	Rating
A	Grandpa Jones	There's A Grave In The Wave Of The Ocean	Grandpa Jones	Rate
B	Grandpa Jones	I'll Never Lose That Loneliness For You	Grandpa Jones	Rate

Notes

Recorded late summer 1944, Cincinnati, OH, mx: 1906 (A), 1903 (B).
Grandpa Jones, vocal, guitar; Billy Strickland, steel guitar.

BB 01 Sep 1945 p.18 [King ad - now shipping]
BB 08 Sep 1945 p.29 [Advance Record Releases]

Images

Number: 865063 THUMBNAIL Uploaded By: 78-Ron Edited By: fixbutte Description: A Side Label	Number: 865064 Uploaded By: 78-Ron Description: B Side Label	Number: 2883696 Uploaded By: historyofcountrymusic Edited By: fixbutte Description: A-side, 1946 or later issue	Number: 2883697 Uploaded By: historyofcountrymusic Edited By: fixbutte Description: B-side,1946 or later issue
Number: 857221 Uploaded By: fixbutte Description: Billboard Sep 1, 1945, p. 18

Comments and Reviews


historyofcountrymusic 6th Feb 2022		Added label variants



78-Ron 19th Oct 2015		Label images added



fixbutte 13th Oct 2015		Grandpa Jones' second single under his own name was recorded on his second session for King Records (after the Jan 1944 session, mx. 1775 to 1785). Praguefrank's Grandpa Jones discography (apparently based on Charles K. Wolfe's discography in Jones' autobiography, Everybody's Grandpa: Fifty Years Behind The Mike, from 1984) dates this session to "ca. December 1944, King Recording Studio, 1540 Brewster Ave, Cincinnati, OH", with Billy Strickland on steel guitar. The matrix numbers of this session (1900 to 1911), however, suggest that the recordings were made some months earlier, anyway before Hank Penny's single on King 507 (mx # 1912, 1913), which was already announced to the trade in Sep/Oct 1944. This assumption complies with Jon Hartley Fox' book, King of the Queen City: The Story of King Records, which dates the session to late summer 1944: Jones made it back to Cincinnati on furlough in late summer 1944, and Nathan promptly hustled him into the studio. Working with a steel guitarist, Jones recorded another eight songs, including the two done earlier by the Sheppard Brothers. Jones wrote the majority of the songs, including the session's most successful record, "East Bound Freight Train". Assuming this to be true, the session most probably did not take place in the King Studio (its renting was only announced at the end of October 1944, see Billboard Nov 4, 1944, p. 65), and the steel guitarist involved might be someone other than Billy Strickland. The two sides re-recorded on that session were issued on Jones' next single (King 513), "East Bound Freight Train" came out only one year later (King 545, Aug 1946).