Instrumental foolery in the studio until about halfway through the title track, when they pick up an inconsequential riff; the same characterises the rest of the album to some degree, except for Communion where they play straight, on a jazz triple swing melody. [YouTube Video][YouTube Video]
Recorded NYC, December 13, 1951, with Blue Mitchell, trumpet; Lee Pope, tenor sax; Ted Butler, baritone sax; Paul Williams, baritone, alto sax; Lee Anderson, piano; Sam Jones, bass; Joe Booker, drums; and Danny Cobb, vocals (from YT notes)