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TV Series

Series Name:    Welcome Back, Kotter Format: TV Series IMDB: IMDB Page Years: 1975 - 1979 Country:   USA Language: English Genre: Sitcom Rating: 4.5  Rate Collection:   Seen It     Wishlist  Community:  13 Have Seen » Search eBay #AD  » Search Amazon #AD This site contains affiliate links for which we may be compensated.

Selected Cast	Gabe Kaplan as Gabe Kotter
	Marcia Strassman as Julie Kotter
	John Travolta as Vinnie Barbarino
	Ron Palillo as Arnold Horshack
	Lawrence Hilton-Jacobs as Boom Boom Washington
	Robert Hegyes as Juan Epstein
	John Sylvester White as Michael Woodman
	Debralee Scott as Hotsie Totsie

Notes

Series star Gabe Kaplan was also co-creator of this series, which was based upon his real-life experiences as a "Sweathog" type.

John Travolta launched his film career during his time on the series, appearing in both Saturday Night Fever and Grease.

Images

Number: 790235  THUMBNAIL Uploaded By: 23skidoo Description: title screen

Comments and Reviews

BigBadBluesMan 27th Feb 2017
Twistin 28th Sep 2015		From my experience in the industry, NTSC and PAL each have their pros and cons. (I always felt that PAL's extra pixel height gave the screen a more square look, less cinematic.) This era of TV was largely washed out across the board. I never cared for the videotaped-before-a-live-audience brand of sitcom. Anyway, I have seen my share of 70's Euro TV and films that also have a washed-out quality -- especially Eurocrime films! As for 70's videotaped sitcoms, both "All in the Family" (muted but not washed out) (CBS) and "Sanford and Son" (NBC) managed to escape that starchy palette, which was more common on the ABC-TV network for some reason.
Record Collector 27th Sep 2015		Candid camera for example it was a total wash out
Neil Forbes 27th Sep 2015		Even so with filmed or videotaped shows, there was a degree of quality loss in conversion, but if the so-called "washed-out" look was deliberate, the conversion from film to NTSC videotape(if indeed they copied the filmed stuff to videotape) then upward conversion from NTSC to PAL would definitely have compounded the quality loss.
23skidoo 27th Sep 2015		Actually, most American sitcoms in the 1970s tended to have a rather washed-out look anyway because they tended to go for a more gritty look with muted colors. It was in part a consequence of moving from film to videotape, which was the standard for sitcoms until the early 1980s. Compare, for example, the videotaped Barney Miller and the filmed Police Squad.
Record Collector 27th Sep 2015		Yes the ampex video machines weren't made for American sitcoms
Record Collector 27th Sep 2015		Oh yes candid camera was worse
Neil Forbes 27th Sep 2015		RC:- "Colour looks if it was washed out"... That can be easily explained by the conversion from American NTSC colour system up to the superior German PAL system in use by more discerning countries, including Australia. The conversion highlighted the shortcomings of the American colour system against its vastly superior German counterpart.
Record Collector 26th Sep 2015		Colour looks if it was washed out
Neil Forbes 26th Sep 2015		RC:- "One of three shows I used to see what I call picaso print" Er.... huh???????
Record Collector 26th Sep 2015		One of three shows I used to see what I call picaso print
Neil Forbes 26th Sep 2015		...Up your nose wit' a rubber hose! Oooh that's just gotta hurt! Ooouuuucccchhhh!
Record Collector 26th Sep 2015		Howlo how are ya my name is Arnold horshaack haha
Neil Forbes 26th Sep 2015		Ooo-oo, Oooo-oo-oo! (Arnold Horshak) Sadly, Ron Palillo passed away some years ago. but he'll likely always be remembered for "Arnold Horshak".
zabadak 6th Jul 2015		Theme song by John B. Sebastian :happy:

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