I question the bootleg status of this, if it came from the official factory, albeit "unofficially" pressed...
(Snuck out the back door by cheeky employee etc.)
...As bootleg seems to imply an entirely separate entity replicating official issues for reasons of profit, and thereby stealing from the copyright holder / label of origin, the profits which would otherwise would have been rightfully theirs.
If this is extremely rare, where only a couple or a handful exist, this would seem to lend credence to the idea that it was a one time -off the books sneaky press by insider, for their own use, as opposed to a boot, as any bootleg enterprise isn't going to make only a couple, or even a few if there's no possibility of any wedge at the end of it, due to lack of numbers, surely?
I never really got into Suede at the time, although of course, they were a presence in popular culture, with singles pervading the airwaves and all, which I was aware of... especially those from this album, which actually caused me to deliberately avoid them on the principle that it sounded like a band who had sold out, and "gone commercial"...
(For all their protestations at the time that they should not be categorized under the same banner as other bands who the popular media dubbed: "Britpop", it is strange that they should have produced this... perhaps one of the most Britpop / commercial albums of them all!)
...These sounding like overtly pop, punchy, commercial tunes you can 'um.
And even the cover reflects greatly the character of the album as a whole... Gone the dark, dingy photography of more serious artists, in it's place a lurid, energy drink fuelled neon-ette "buy me!" cover enclosing a slab of brief, high energy pop stabs and jabs.
But it was during the interims between lockdowns in the pandemic that I was on a "buy it and rip it" spree of all those old albums on CD that I'd missed first time around, that I had a tune pop up on my MP3 player form this, that acted as the better gateway track for the album:
By The Sea, is a different flavour altogether... an absolutely stunning masterpiece in fact, of scale, and sweep, with an incredible melancholic tone that really grabbed me by the pretzels and has since become one of the signature tunes of lockdown for me...
...And also Picnic By The Motorway, which has a woozy, destitute, hallucinogenic quality (especially in the vocal effect) made me listen to the other single tracks again, before giving the whole album a thorough listen through - a couple of times in fact.
I've now come to appreciate the album as a whole, and find, quite to my astonishment, that I really love it - it's quite a short album, wisely, as too much of that hyper energetic feel would have been wearing, especially without those two deeper cuts as interludes. And so, it's a well judged, well balanced album too.
And so, happening on Amazon a couple of weeks ago, to find this on sale for £14, I grabbed it up, and found this lovely 180g Clear vinyl plays with even greater scale and sweep on a proper system (through big boy speakers) than an MP3 can of course deliver, which unlocks the full audio potential.
The only minor gripe with this pressing - And the Bluetones: Expecting To Fly album I also got on this label: Demon, is how quiet the music is pressed on them - you have to turn the volume way up with this label's pressings it seems... but that's Ok I suppose, as the vinyl itself is silent, and clean sounding, so no amplified pops and crackles etc.
[As stated on both albums - Demon is a BBC company! - who knew!?!]
I may have to delve into other Suede albums now, especially in search of anything that can match By The Sea, for sheer wow factor.
ReviewOne of those bands that if you like one thing they do, you'll like everything they do...
...And I do like what it is they do, I do!
Wasn't sure what to expect when I found this, but one of those occasional nuggets you find, which is great throughout:
...Erm... New wave punk-ish semi goth type of high energy frenetic rock, which put in me in mind of Devo, The Clash on occasions, The Jam, and with occasional vocals reminiscent of Public Image Ltd. era John Lydon vocals when he hits the higher end of things. (Even the odd note of foreshadowing of Radiohead hues in the beats and use of instrumentation).
Lots of riffs with big crunchy guitars, undercut with squealy repetitive rhythm guitar stabs nice bass lines and solid thumpy drums- quite melodic in places too.
A side is only slightly more tending toward the "pop" end of this this spectrum. in terms of song duration and feel, and b side is a little more open, languid, and experimental sounding - one of the songs opens in such a way (a clearly sampled and looped vocal synth "chant thing") as to place it squarely dated in the eighties, so as you suddenly think it's going into Howard Jones type territory, before the crunchy guitar comes in and normal service is resumed, thankfully.
The recording is very good, with nice spacious and separated sound, albeit quite skinny and floppy piece of vinyl, and only a suggestion of the typical, signature "eighties echo" effect around the vocals, but not so much as to scare off the true new wavy punkoids among you :)
A nice find for this new year, and already thinking I'm not likely to find better this year.
Side 1 image can be edited by going to "Edit Images" on this page, selecting (reserving) the image to be edited, then uploading your new edit in place of it.
I don't on the whole, buy into the whole "punk" thing, in that it seems more than half is awful ear- horror, and the rest, sound musicians posing as being worse than they actually are:
Punk= mostly Bulls*&t.
Fortunately, these are of the later variety...
...Actually great musicians greatly performing well constructed, even musical songs.
I did wonder what a "Punk" band was doing on Island records of this time, when I found this, and it turns out they do a very fine line in the reggae end of the P$%k spectrum.
...And very well they do it too!
Going by my presumptions based on the cover and band name, I was expecting an unmusical, caterwaul of "attitude" and grim-ness... but thankfully not.
This is, instead, a more lo-fi, up-front, noodly, intricate affair of very innovative and inventive music.
The real star if the show here is the rhythm(s) and in particular, the truly stellar drumming that underpins the whole thing.
This is actually further emphasised by the lack of production (Studio effects) in the recording, as other than a guitar pedal, distortion or two, it's absolutely bare recording, to showcase how good these players are.
The vinyl, of course, is reliably good, as you'd expect from Island, but the music too is a very pleasant surprise!
Second LP tracks can be added by going to: "Add Missing Info" at bottom of page, and then clicking: "Add Extra Tracks", where you can add the tracks, lp side letters, and track nuumbers.
...Looks like I'm back in business, as far as being able to contribute images to site, as I have a new printer with a flatbed scanner on it :)
(After much messing about trying to stop the bloomin' thing scanning only areas of the image - sometimes more advanced kit than you are used to trying to be being helpful... is not helpful! - and having overcome the simply awful photo program facilities of windows 11...
(Can we have photo gallery prog back please Microsoft?!!! - get rid of that useless photos prog)
...By harvesting ICE from my old 8.1 machine, I can now composite images of sleeves too - yippee!!!)
If you can identify correct equivalent listings for disambiguated names in 45cat, then add each one as a separate correction request, I will change them.
Found this on a charity shop two or three weeks ago for 50p...
... Sleeve was covered in muck, no inner sleeve, and a horrific looking scratch / gouge across side one.
Been putting off daring to listen to it since then, but today I plucked up the courage, and gave it a spin...
... Mercifully, only three small jumps on the last track of side 1 - two of which, I managed to work out of the playing, by the old: power off and run backwards technique - otherwise, plays great!
Nothing major to report sound or pressing wise... It sounds pretty standard mono Decca fare for music of its kind (blues rock-ish)... But that seems to suit this kind of thing, and it's a great example of the genre, for Yardbirds fans etc.
And the sleeve cleaned up a treat...
... Not bad all things considered, for an album commonly valued at around the £200 mark!
Indeed, this is neither reference nor biography though, and while I'm loathe to state that some site "rules" are, shall we say, inconsistently applied, I will restate that on 45cat, you will find many sheet music additions, newspaper and magazine articles, sometimes giving lyrics etc. Admin seems fine with this, so I see no problem doing the same here (Within reason, of course - relevant to issue etc.).
As it is strongly suggested this lyric book here was included in an official issue in at least one country, I think this qualifies on that score too...
...So, I'm going to take the execute moderato decision to leave this here, with these comments and discussion serving as informative notes regarding it for the casual observer / researcher landing on this page. If you want to re-upload the lyric book images to the other issue, and make some informative statement about them there too, that would be fine.
There... I've made a decision, and now feel quite dizzy, so will have a nice sit down and a biscuit or two to recover! :)
..But I think my question still stands, as to whether it can perhaps stay here, as well as being uploaded to other issues on site, or copied over from here, or simply being moved to the other relevant issue(s), which, as a moderator, I can do :)
Would this lyric book have been available separately, or existed independently of any issue?
I ask because it is a long standing convention on 45cat to add sheet music and the like to entries there, and this seems to be a similar thing, if you see my point of view.
So wondered if it could stay here, with these comments serving as an adequate not on the lyric book, and then maybe copied over to the US issue, with the note about it being bound in to issues there?
ReviewPerhaps not the most popular opinion, especially among Genesis fans, but for me, this one, along with A Trick Of The Tail, is Genesis' best album.
It seems to capture the best of both Genesis worlds, of the more extensive proggy workouts of early years, but imbued with the more popular, melodic sounds of what was yet to come.
...And like Trick Of The Tail, it has an atmosphere all it's own, that marks it out separately from the body of their work... but these two albums themselves, being poles apart in this respect.
The the tone is set, firstly with the almost prelude of Behind The Lines, and then the album really gets going, for me, when the singular, and haunting track Duchess weaves it's spell. A brief reprise in Guide Vocal follows as an in breath, before the body of the album is presented in a collection tracks that are perhaps the strongest melodically, and in terms of pure song writing that Genesis have ever done, mostly more personal and considered, as well as emotional than usual, briefly interrupted with the uplift of Turn It On Again, which acts like a reset for side two, before ending with the epic two parter of Duke's Travel's, and Duke's End.
The songs, however independently considered, hang together to form a narrative of sorts, and tell a story across the album, in the manner of an Odyssey.
I finally dug my copy of this orignal vinyl out and gave it a spin again, after decades of having listened to my 94 remastered CD, and sadly find this quite lacking now, in comparison...
...It's not a bad pressing, or doesn't sound awful or anything, it's just a bit flat, and lifeless in comparison to that CD... doesn't pop, which feels at odds with the sonic drama on the album, the grandeur and epic melodic brilliance of the tunes doesn't come across that well, as well as sounding a little on the quiet side on the disc here.
So I still favour the 94 CD by some distance, but if I can get a vinyl reissue that sounds at least as good as that CD, I certainly would opt for that, as this is not only my favourite Genesis album, it's also somewhere in my top five favourite albums ever in general.
Just done your correction for the other Brazil record, along these lines with the split cats, but that one had a main catalogue number, as well as one for each side... any idea what the main cat here is?
This is what I'm after when I go out on the dig for records in charity shops and the like...
...An inscrutable plain white sleeve, with only: "Telex" and "Test", concealing, as hoped for, and expected, a white label test pressing with the same on label, but also: SRK 6062, in biro.
(Actually gives that wrong cat number with a 6 instead of the 7, which made for a temporary problem in trying to search online to find out what it was.)
While the name is of course a familiar one, and it certainly alludes to what may be inside, and on the disc, I didn't know this group, or what the were about when I found it, so only thing left to do was play it! :)
Delightfully surprised, for although the opening track is a bit so-so, fairly bland typical eighties electronica, it did have a vague scent of Kratwerk style about it, a good indicator, of what was to come, I thought...
...But it even exceeded these expectations, as although this very much comes from the same place as Kraftwerk, with a very strong whiff of them, it has much more besides!
For the next track: Pakmovast, is a stonker!
...Right from the get go, it's heavy, pronounced beat which continues at a fair nodding pace, conjured heavy aromas of later electro-dance demi-gods Daft Punk, and I also detected a powerful sense of Jean Michel Jarre throughout the album too.
But there's another note I caught in my audio nostrils too, that of certain instruments, and melodic phrases and motifs of the kind that Boards Of Canada would later allude to in their work, of a kind of undefined nostalgia for a fuzzy, out there, seventies electronic wildlife documentary vibe.
If I had to guess, I I could easily say this may be one the albums that inspired them!
(Especially, in the brief outro track to Side 2: Ca Plane Pour Moi)
The Opening to Side 2 ise very strong, and sung in English: Something to Say, and the final track: Twist A Saint Tropez is a very jaunty upbeat piece of electronica (research show this to have been a single, and quite a well known one too!)...
...These two, bookending the other two tracks on Side 2; The... um... er... interesting take on Rock Around The Clock, which a slower, meditative, almost mesmeric version of the Rock and Roll classic (barely recognisable to begin with), and also another corker of a track: Victime De La Societe, which sounds like a low, evocative, work which might be suited to the opening or closing credits of a movie like the Ryan Gosling mood piece: Drive, or some other nightscape and neon based, city noir thriller soundtrack.
Taking my tp as representative of the retail issue of this, I can report that unlike those aforementioned artists, this has a comparatively stripped down, minimalist approach to the same kind of music, which comes through excellently on this pressing, very solid, definite, fat bass, and broad sounding synths across the audio horizon and all on fairly standard 125g-ish vinyl. but lovely a press.
In all, an absolute nugget of a find for me, and what I live to find among the neglected crates of dingy nooks in charity shops. :)
(Should those RSD peeple happen upon this review perchance, I'd suggest this is a good pick for a new issue - certainly, I'd like a swanky new issue of it with the artwork, and maybe some guff about the band / group etc. - white labels are nice, but don't really tell a lot!)